Art, ideology, & economics in Nazi Germany : the Reich chambers of music, theater, and the visual arts

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書誌事項

Art, ideology, & economics in Nazi Germany : the Reich chambers of music, theater, and the visual arts

Alan E. Steinweis

University of North Carolina Press, c1993

  • : hbk
  • : pbk

タイトル別名

Art, ideology, and economics in Nazi Germany

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注記

Originally presented as the author's thesis(doctoral)--University of North Carolina, Chapel Hill

Bibliography: p. [217]-226

Includes index

内容説明・目次

巻冊次

: hbk ISBN 9780807821046

内容説明

From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, thus showing in whose interest cultural policies were formulated. He discusses such issues as insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power. By elucidating the economic and professional context of cultural life, Steinweis helps to explain the widespread acquiescence of German artists to artistic censorship and racial 'purification.' His work also sheds new light on the purge of Jews from German cultural life. |A comprehensive history of the first century of Freemasonry in America.
巻冊次

: pbk ISBN 9780807846070

内容説明

From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theatre and the visual arts in this study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables.

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