A certain realism : making use of Pasolini's film theory and practice

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書誌事項

A certain realism : making use of Pasolini's film theory and practice

Maurizio Viano

University of California Press, 1993

  • : cloth
  • : pbk. : acid-free

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注記

Includes bibliographical references (p. 347-350) and index

Filmography: p. 351-358

内容説明・目次

巻冊次

: cloth ISBN 9780520078543

内容説明

Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films - "Accattone", "The Canterbury Tales", "Medea" and "Salo" - continue to challenge and entertain new generations of cinema audiences. A leftist, homosexual and distinguished writer of fiction, poetry and criticism, Pasolini once claimed that "a certain realism" informed his filmmaking. Combining analyses of Pasolini's literary and theoretical writings with critiques of his films, Maurizio Viano offers a thorough study of Pasolini's cinematic realism, in theory and in practice. He argues that homosexual themes are present in these films in a manner that critics have thus far failed to acknowledge.
巻冊次

: pbk. : acid-free ISBN 9780520078550

内容説明

Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films--Accattone, The Canterbury Tales, Medea, Salo--continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, and criticism, Pasolini once claimed that "a certain realism" informed his filmmaking. Masterfully combining analyses of Pasolini's literary and theoretical writings and of all his films, Maurizio Viano offers the first thorough study of Pasolini's cinematic realism, in theory and in practice. He finds that Pasolini's cinematic career exemplifies an "expressionistic realism" that acknowledges its subjective foundation instead of striving for an impossible objectivity. Focusing on the personal and expressionistic dimensions of Pasolini's cinema, Viano also argues that homosexuality is present in the films in ways that critics have thus far failed to acknowledge. Sure to generate controversy among film scholars, Italianists, and fans of the director's work, this accessible film-by-film treatment is an ideal companion for anyone watching Pasolini's films on video.

目次

Preface 1 Authorial lntertext 2 Extravagantly Interdisciplinary 3 An Explosion of My Love for Reality 4 Accattone 5 Mamma Roma 6 La ricotta 7 La rabbis 8 Comizl d'amore 9 Sopraluoghl in Palestlna 1 O // Vangelo secondo Matteo 11 Uccellacci uccellini 12 La terrs vista dalla /una and Che cosa sono le nuvole? 13 Edipo re 14 La sequenza del flore di carta 15 Appunti per un film sull'India 16 Teorema 17 Porcile 18 Medea 19 Appunti per un'Orestiade Africans 2 20 Le mura di Sana'a 21 La trilogia della vita 22 Salo o le 120 giornate di Sodoma Coda Notes Bibliography Filmography Index

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