The art of light + space
著者
書誌事項
The art of light + space
(Abbeville modern art movements)
Abbeville Press, c1993
1st ed
- : pbk
- タイトル別名
-
Art of light and space
大学図書館所蔵 全17件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 256-265) and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780789201713
内容説明
Ethereal and evocative, the art of Light and Space pushes the viewer beyond the everyday limits of perception. It takes many different forms and uses many different materials, ranging from natural daylight and scrim to glass, plywood, neon, and fire. It taps into far-ranging ideas and systems of knowledge, including alchemy, Buddhism, aerospace technology, witchcraft, astronomy, physiology, and phenomenology. Written by the foremost authority on the subject and based on more than two decades of research, The Art of Light and Space is the first book to provide an overview of this powerful and increasingly public art form. With rare photographs, extensive artist interviews, and her own insightful observations, Jan Butterfield vividly documents the history of this diverse and sometimes elusive work.
Following a useful introduction that succinctly places the art of Light and Space in the larger context of modern art, the book is divided into ten chapters, each focused on one artist: Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Insightful portrait photographs by Jim McHugh open each chapter and capture the quirky individuality of these inexhaustibly creative men and women. The innovative graphic design emphasises the artists' own words, both in sidebars and in the text, making their voices unusually accessible. No two artists have followed the same path, but in many cases the work has become increasingly approachable in recent years. Architects and urban planners have begun to incorporate Light and Space installations into public spaces ranging from the Old Post Office Building in Washington, D.C., to the new building in Pasadena, California. Corporate, nonprofit, and private collectors have commissioned numerous major works, including a solar fountain in Denver, a tea house in Paris, and a fire-and-steam sculpture on a busy Los Angeles street corner. The processes of creating the works seen here are as intriguing as the final results, and all are illuminated by the text, the illustrations, and the design of this provocative, invaluable volume.
目次
7 Preface 8 Introduction 17 Robert Irwin 67 James Turrell 95 Maria Nordman 117 Douglas Wheeler 131 Bruce Nauman 151 Eric Orr 175 Larry Bell 189 DeWain Valentine 205 Susan Kaiser Vogel 219 Hap Tivey 245 Afterword 247 Notes 254 Acknowledgements 256 Selected Bibliography 266 Index
- 巻冊次
-
ISBN 9781558592728
内容説明
This work investigates the phenomenon of light and space art, which originated in California during the late 1960s and which has become a movement of international significance. The artists included in this coverage are Michael Asher, Larry Bell, Robert Irwin, Bruce Nauman, Maria Nordman, Eric Orr, Hap Tivey, James Turrell, Dewain Valentine, Susan Kaiser Vogel and Doug Wheeler. The book is based upon more than two decades of research. It is particularly useful because so much of the work discussed and described only existed briefly on specific sites, and a few of them were only seen by a few people at the time. Photographs, interviews and the author's own observations recreate those works. The book argues that sight is only one of the senses engaged in this art, for many of the installations affect hearing, touch and perception as well as vision. This art form was shaped by many forces including the Southern Californian milieu, the artists' fascination with science, technology and psychology and their willingness to explore alchemy and metaphysics as readily as art history.
The thinking of the artists and their processes of creating the works are often even more intriguing than the final results.
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