Songs of mortals, dialogues of the gods : music and theatre in seventeenth-century Spain
Author(s)
Bibliographic Information
Songs of mortals, dialogues of the gods : music and theatre in seventeenth-century Spain
(Oxford monographs on music)
Clarendon Press , Oxford University Press, 1993
Available at 10 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
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  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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  United Kingdom
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  France
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Note
Includes bibliographical references and index
Description and Table of Contents
Description
This is the first comprehensive survey of seventeenth-century Spanish theatrical music to be written in any language. While particular aspects of the field have been explored before, no previous single study has succeeded in defining the place and function of music in the Spanish theatre, and the nature of the extant repertory.
This book explains the development of the various musical-theatrical genres of the period (such as the semi-opera, opera, court plays), details the origins of the zarzuela, and looks at the anomalous production of three operas during the seventeenth century. It is based on a thorough study of the primary sources (musical sources, text of plays, archival documents), and the author combines history of music, history of theatre, politics and literary and musical anlysis to build a complete
picture. In addition the book answers questions concerning the nature of the Spanish musical baroque and its relationship to European musical and theatrical developments. As such, it will be welcomed by musicologists, hispanists, students of Spanish culture, and historians of the arts and
ideas.
Table of Contents
- Music and "Comedia Nueva" 1600-1690
- music in masques and early court spectacle plays
- Calderon's early court plays for Philip IV
- calderonian semi-opera
- opera, Spanish politics, Spanish conventions
- zarzuelas and other short musical plays for the court 1650-1690
- the musical legacy of the Hidalgo Era. Appendices: the musical sources
- catalogue of extant 17th-century Spanish theatrical songs.
by "Nielsen BookData"