Pinter at sixty
著者
書誌事項
Pinter at sixty
(Drama and performance studies)
Indiana University Press, c1993
- : pbk
- タイトル別名
-
Pinter at 60
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes works cited (p. [201]-208) and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780253208118
内容説明
" . . . insights and expertise which all together furnish a useful addition to Pinter studies." -Modern Language Review
Essays by both scholars and theater artists examine the work of British playwright Harold Pinter. The essays focus on performance, politics, gender issues, interpersonal manipulation, style and language, on influence, and on the interplay between Pinter's theatrical and film-scripting careers. Illustrated.
目次
PREFACE
ACKNOWLEDGMENTS
I. PINTER IN PRODUCTION
1. Pinter in Rehearsal: From The Birthday Party to Mountain Language: Carey Perloff
2. Producing Pinter: Louis Marks
II. POLITICAL PINTER
3. Harold Pinter's Theatre of Cruelty: Martin Esslin
4. Harold Pinter's The Hothouse: A Parable of the Holocaust: Rosette C. Lamont
5. Disjuncture as Theatrical and Postmodern Practice in Griselda Gambaro's The Camp and Harold Pinter's Mountain Language: Jeanne Colleran
6. The Outsider in Pinter and Havel: Susan Hollis Merritt
III. PINTER'S POETICS
7. The Betrayal of Facts: Pinter and Duras beyond Adaption: Judith Roof
8. Image and Attention in Harold Pinter: Alice Rayner
9. Pinter and the Ethos of Minimalism: Jon Erickson
IV. PINTER AND INFLUENCE
10. Xhekhov, Beckett, Pinter: The St(r)ain upon the Silence: Alice N. Benston
11. That first last look: Martha Fehsenfeld
12. A Rose by any other name: Pinter and Shakespeare: Hersh Zeifman
13. From Novel to Film: Harold Pinter's Adaptation of The Trial: Francis Gillen
14. I am Powerful...and I am only the lowest doorkeeper: Power Play in Kafka's The Trial and Pinter's Victoria Station: John L. Kundert-Gibbs
V. PINTER AND FILM
15. Art Objects as Metaphors in the Filmscripts of Harold Pinter: Steven H. Gale
16. Pinter and Bowen: The Heat of the Day: Phyllis R. Randall
VI. Alaskan Perspectives
17. Portrait of Deborah: A Kind of Alaska: Moonyoung C. Ham
18. Deborah's Homecoming in A Kind of Alaska: An Afterword: Katherine H. Burkman
WORKS CITED
CONTRIBUTORS
INDEX
- 巻冊次
-
ISBN 9780253344991
内容説明
To celebrate his sixtieth year, an international group of scholars and theatre artists gathered in 1991 to assess the achievement of British playwright and screenwriter Harold Pinter. These eighteen essays represent the current state of Pinter criticism and an affirmation of Pinter's preeminence in contemporary British theatre. Contents include: Pinter in Rehearsal: From The Birthday Party to Mountain Language, by Carey Perloff; Producing Pinter, by Louis Marks; Harold Pinter's Theatre of Cruelty, by Martin Esslin; Harold Pinter's The Hothouse: A Parable of the Holocaust, by Rosette C. Lamont; Disjuncture as Theatrical and Postmodern Practice in Griselda Gambaro's The Camp and Harold Pinter's Mountain Language, by Jeanne Colleran; The Outsider in Pinter and Havel, by Susan Hollis Merritt; The Betrayal of Facts: Pinter and Duras beyond Adaptation, by Judith Roof; Image and Attention in Harold Pinter, by Alice Rayner; Pinter and the Ethos of Minimalism, by Jon Erickson; Chekhov, beckett, Pinter: The St(r)ain upon the Silence, by Alice N. Bentson; 'That first last look ...,
' by Martha Fehsenfeld; A Rose by any other name: Pinter and Shakespeare, by Hersh Zeifman; From Novel to Film: Harold Pinter's Adaptation of The Trial, by Francis Gillen. 'I am powerful ...and I am only the lowest doorkeeper': Power Play in Kafka's The Trial and Pinter's Victoria Station, by John L. Kundert-Gibbs; Art Objects as Metaphors in the Filmscripts of Harold Pinter, by Steven H. Gale; Pinter and Bowen: The Heat of the Day, by Phyllis R. Randall; Portrait of Deborah: A Kind of Alaska, by Moonyoung C. Ham; and Deborah's Homecoming in A Kind of Alaska: Afterword, by Katherine H. Burkman.
目次
PREFACE ACKNOWLEDGMENTS I. PINTER IN PRODUCTION 1. Pinter in Rehearsal: From The Birthday Party to Mountain Language: Carey Perloff 2. Producing Pinter: Louis Marks II. POLITICAL PINTER 3. Harold PinterOs Theatre of Cruelty: Martin Esslin 4. Harold PinterOs The Hothouse: A Parable of the Holocaust: Rosette C. Lamont 5. Disjuncture as Theatrical and Postmodern Practice in Griselda GambaroOs The Camp and Harold PinterOs Mountain Language: Jeanne Colleran 6. The Outsider in Pinter and Havel: Susan Hollis Merritt III. PINTEROS POETICS 7. The Betrayal of Facts: Pinter and Duras beyond Adaption: Judith Roof 8. Image and Attention in Harold Pinter: Alice Rayner 9. Pinter and the Ethos of Minimalism: Jon Erickson IV. PINTER AND INFLUENCE 10. Xhekhov, Beckett, Pinter: The St(r)ain upon the Silence: Alice N. Benston 11. That first last look: Martha Fehsenfeld 12. A Rose by any other name: Pinter and Shakespeare: Hersh Zeifman 13. From Novel to Film: Harold PinterOs Adaptation of The Trial: Francis Gillen 14. I am Powerful...and I am only the lowest doorkeeper: Power Play in KafkaOs The Trial and PinterOs Victoria Station: John L. Kundert-Gibbs V. PINTER AND FILM 15. Art Objects as Metaphors in the Filmscripts of Harold Pinter: Steven H. Gale 16. Pinter and Bowen: The Heat of the Day: Phyllis R. Randall VI. Alaskan Perspectives 17. Portrait of Deborah: A Kind of Alaska: Moonyoung C. Ham 18. DeborahOs Homecoming in A Kind of Alaska: An Afterword: Katherine H. Burkman WORKS CITED CONTRIBUTORS INDEX
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