The monstrous-feminine : film, feminism, psychoanalysis
著者
書誌事項
The monstrous-feminine : film, feminism, psychoanalysis
（Popular fiction series）
Routledge, 1993
- : hbk
- : pbk
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注記
Bibliography: p. 167-171
Filmography: p. 172-177
Includes index
内容説明・目次
- 巻冊次
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: hbk ISBN 9780415052580
内容説明
In almost all critical writings on the horror film, woman is conceptualized only as victim. In "The Monstrous-Feminine", Barbara Creed challenges the mythical patriarchal view that woman terrifies because she is castrated, by arguing that woman primarily terrifies because of a fear that she might "castrate". With close reference to a number of classic horror films including "Alien", "The Brood", "The Hunger", "Carrie", "The Exorcist", "Sisters", "I Spit on Your Grave" and "Psycho", she presents a sustained analysis of the seven "faces" of the monstrous-feminine from a feminist and psychoanalytic perspective, discussing woman as monster in relation to woman as archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument disrupts Freudian and Lacanian theories of sexual difference, as well as existing theories of spectatorship and fetishism in relation to the male and female gaze in the cinema, to provide a challenging and provocative re-reading of classical and contemporary film and theoretical texts.
- 巻冊次
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: pbk ISBN 9780415052597
内容説明
In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.
With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.
目次
Part I Faces of the Monstrous-Feminine: Abjection and the Maternal INTRODUCTION 1 KRISTEVA, FEMININITY, ABJECTION 2 HORROR AND THE ARCHAIC MOTHER: ALIEN 3 WOMAN AS POSSESSED MONSTER: THE EXORCIST 4 WOMAN AS MONSTROUS WOMB: THE BROOD 5 WOMAN AS VAMPIRE: THE HUNGER 6 WOMAN AS WITCH: CARRIE Part II Medusa's Head: Psychoanalytic Theory and the Femme Castratrice, 7 'LITTLE HANS' RECONSIDERED: OR THE TALE OF MOTHERS TERRIFYING WIDDLER' 8 MEDUSA'S HEAD: THE VAGINA DENTATA ANDFREUDIAN THEORY 9 THE FEMME CASTRATRICE: I SPIT ON YOUR GRAVE, SISTERS 10 THE CASTRATING MOTHER: PSYCHO 11 THE MEDUSA'S GAZE
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