Church, city, and labyrinth in Brontë, Dickens, Hardy, and Butor
Author(s)
Bibliographic Information
Church, city, and labyrinth in Brontë, Dickens, Hardy, and Butor
(American university studies, ser. 3 . Comparative literature ; v. 50)
Peter Lang, c1993
Available at 24 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical notes, and bibliographies of works cited and works consulted (p. [139]-147)
Description and Table of Contents
Description
Historically city and church have a common origin in the mythic labyrinth - tortuous, walled passageways enclosing a space considered sacred to the demigod. Gradually both concept and fact changed. By the end of the nineteenth century the city is perceived as a labyrinth, but labyrinth as a place of confusion and chaos instead of order. Man, the builder of cities to transcend the profane, becomes man, the demon who is trapped in his own creation. Bronte, Dickens, and Hardy, whose novels span the nineteenth century, and Butor, who presents a culminating expression of the theme on the twentieth century, portray the changing relationship of church and city.
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