The primordial image : African, Afro-American, and Caribbean mythopoetic text
Author(s)
Bibliographic Information
The primordial image : African, Afro-American, and Caribbean mythopoetic text
(American university studies, Series III,
P. Lang, c1993
Available at 3 libraries
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  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
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  United Kingdom
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Note
Includes bibliographical references (p. [403]-410) and index
Description and Table of Contents
Description
This fascinating book is an attempt to establish that in African, Afro-American and Caribbean literature certain primordial and mythic patterns recur sufficiently to be recognizable as familiar elements in our literary experience. Behind the pattern of each selected work, we recognize a more generalized pattern or archetype both in terms of narrative and thematic vision as well as imagery and characterization. Each chapter identifies and discusses an archetypal image in relationship to a specific work or set of works. From the female mythos to the archetype of eschatology, from the dionysian unconscious to the archetypal themes of identity and alienation and the sense of the fragmentation of the ego, the primordial images found in these works provide the vast common ground for the explorations of self or for bridging the distance between self and other, between the conscious and the unconscious layers of the human creative psyche.
Table of Contents
Contents: a.) Primordial images such as the Female Mythos, the Quest, the Bildungsroman, the Wise Man, the Dionysian Archetype, the Archetype of Eschatology, and Eros and Psychedelic Experience. b.) For college and university teachers and students. c.) My book is unique because although there have been scattered attempts in the past that focus on some mythic forms in selected African, Afro-American, and Caribbean literary works, little attempt has so far been made either to higlight the interrelationships of these archetypal patterns or subject the texts to the kind of comparative Jungian interpretation attempted in this book.
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