The collected poetry of Paul Laurence Dunbar
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書誌事項
The collected poetry of Paul Laurence Dunbar
University Press of Virginia, 1993
- : pbk
大学図書館所蔵 全6件
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  奈良
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  鳥取
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  香川
  愛媛
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  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
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注記
Includes, in addition to added material, the text of the 1913 edition, The complete poems of Paul Laurence Dunbar, presumed to have been complete at the time
Includes bibliographical references (p. [367]-370) and indexes
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780813914381
内容説明
This edition of the collected poems of Paul Laurence Dunbar includes 60 poems not included in the previous - and now out of print - ""Complete Poems"". 16 of these were found in manuscript form. Paul Laurence Dunbar's work achieved wide recognition in the first part of this century. The author of six volumes of poetry, as well as novels, liberettos, songs and essays, he was nationally known and accepted by black and white readers alike. The poet's influence has been far-reaching, and reaction to him, at times, controversial. In addition to creating musical renditions of black folk language, both comic and serious, he wrote lyrical poetry in standard English verse, inspired by Shakespeare, Shelley, Keats, Tennyson and the American romantics. Critics in Dunbar's day, however, led by William Dean Howells, noted only his comic dialect poetry, dismissing the standard English poetry and ignoring the subtlety and depth of the dialect work. Disagreements about the significance and meaning of Dunbar's poetry have continued through succeeding generations.
- 巻冊次
-
ISBN 9780813914541
内容説明
This edition of the collected poems of Paul Laurence Dunbar includes 60 poems not included in the previous - and now out of print - "Complete Poems". 16 of these were found in manuscript form. Paul Laurence Dunbar's work achieved wide recognition in the first part of this century. The author of six volumes of poetry, as well as novels, liberettos, songs and essays, he was nationally known and accepted by black and white readers alike. The poet's influence has been far-reaching, and reaction to him, at times, controversial. In addition to creating musical renditions of black folk language, both comic and serious, he wrote lyrical poetry in standard English verse, inspired by Shakespeare, Shelley, Keats, Tennyson and the American romantics. Critics in Dunbar's day, however, led by William Dean Howells, noted only his comic dialect poetry, dismissing the standard English poetry and ignoring the subtlety and depth of the dialect work. Disagreements about the significance and meaning of Dunbar's poetry have continued through succeeding generations.
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