From pop to punk to postmodernism : popular music and Australian culture from the 1960s to the 1990s
著者
書誌事項
From pop to punk to postmodernism : popular music and Australian culture from the 1960s to the 1990s
（Australian cultural studies）
Allen & Unwin, 1992
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
"From Pop to Punk to Postmodernism" is a study of Australian popular music and popular culture. Drawing on a variety of critical perspectives, the contributors examine the connections between popular music, youth culture and national identity. They look at the conditions of production in the music industry and the implications this has for female and Aboriginal musicians, as well as the question of whether there is a distinct Australian musical style. Individual chapters focus on Midnight Oil, INXS , Kate Ceberano, Kylie Minogue and the House Music and Dance Party scene. "Philip Hayward lectures in drama and mass communications at Macquarie University, Sydney, and is the author of "The pop music industry" (1988), and editor of "Picture this -- media representations of visual art and artists" (1988), "Culture, technology and creativity" (1990) and "Screen space and cyberspace" (1991).
目次
- Part 1 Institutions and contexts: Australian popular music and its contents, Graeme Turner
- Tjungaringanyi - Aboriginal rock, John Castles
- magpies, lyrebirds and emus - record labels, ownership and orientation, Marcus Breen
- heritage rock - pop music on Australian radio, John Potts
- from Bandstand and Six O'Clock Rock to MTV and Rage, Sally Stockbridge. Part 2 Generations of change: growing up (uncool) - pop music and youth culture in the '50s and '60s, Craig McGregor
- music, counter-culture and the Vietnam era, Louise Douglas and Richard Geeves
- death rockers of the world unite - Melbourne 1978-80, Vikki Riley
- Be my woman rock'n'roll, Vivien Johnson
- nothing ventured, nothing gained - Midnight Oil and the politics of rock, Simon Steggels
- Kylie - the making of a star, Idina Rex
- music video, the bicentenary (and after), Philip Hayward
- dance parties - capital, culture and simulation, Andrew Murphy and Edward Scheer.
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