Minimal art : the critical perspective

Bibliographic Information

Minimal art : the critical perspective

by Frances Colpitt

University of Washington Press, 1993, c1990

1st pbk. ed

  • : pbk

Available at  / 13 libraries

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Note

Originally published: Ann Arbor, Mich. : UMI Research Press, 1990

Bibliography: p. [249]-262

Includes index

Description and Table of Contents

Description

In this important work, Frances Colpitt chronicles the Minimal art movement of the 1960s. Maintaining the original spirit of the period--enthusiasm for innovation and a passionate commitment to intellectual inquiry--Colpitt provides an excellent documentary history that is both thorough and nonpartisan. Using a metacritical approach that embraces critical writings of the artists themselves, interviews by herself and the others, and a generous sampling of illustrations, Colpitt sets foth the issues and arguments and identifies key concepts that are crucial to an understanding of Minimal art. These include the frequent use of industrial materials and techniques; nonrelational principles of composition; and theoretical issues of scale, presence and thatricality. Also discussed are issues of abstraction, illusion, and reductionism as revealed in the writing and artistic productions of such leading innovators as Frank Stella, Donald Judd, and Robert Morris, among others. An appendix lists major exhibitions and reviews.

Table of Contents

  • Contents: 1. Process Issues: New Materials and Techniques
  • Color
  • Monochromatic Painting
  • "The Vanishing Base" 2. Internal Issues(Composition): Nonrelational Composition
  • Figure-Ground
  • The Hegemony of Shape
  • Systematic Order 3. External Issues(The Spectator): The Concept of Presence
  • Significance of Scale
  • Architecture and the Environment
  • Michael Fried's Theory of Theatricality
  • The Spectator's Experience 4. Theoretical Issues: Abstraction and the subversion of illusion
  • Reality and the Condition of Objecthood
  • The Concept of Reduction
  • "Boring" Art
  • Interest as a Value
  • Art or Non-art: the Relevance of Theories. Artists work that is included: Vladimir Tatlin, Jackson Pollock, Yves Klein, Barnett Newman, Kenneth Noland, Robert Rauschenberg, David Smith, Anthony Caro, William Tucker, Mark di Suvero, John Chamberlain, Lee Bontecou, Frank Stella, Anne Truitt, Donald Judd, Robert Morris, Dan Flavin, Carl Andre, Sol LeWitt, Tony Smith, ROnald Bladen, Robert Murray, Larry Bell, John McCrackent, Craig Kauffman, Robert Mangold, Brice Marden, David Novros, Jo Baer, Robert Ryman, and Robert Smithson

by "Nielsen BookData"

Details

  • NCID
    BA21643192
  • ISBN
    • 029597236X
  • LCCN
    92023902
  • Country Code
    us
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Seattle
  • Pages/Volumes
    xii, 270 p.
  • Size
    23 cm
  • Classification
  • Subject Headings
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