Deconstruction and the visual arts : art, media, architecture

Bibliographic Information

Deconstruction and the visual arts : art, media, architecture

edited by Peter Brunette, David Wills

(Cambridge studies in new art history and criticism)

Cambridge University Press, 1994

  • : hard
  • : pbk

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Includes bibliographical references and index

Description and Table of Contents

Description

Deconstruction and the Visual Arts brings together a series of new essays by scholars of aesthetics, art history and criticism, film, television and architecture. Working with the ideas of French philosopher Jacques Derrida, the essays explore the full range of his analyses. They are modelled on the variety of critical approaches that he has encouraged, from critiques of the foundations of our thinking and disciplinary demarcation, to creative and experimental readings of visual 'texts'. Representing some of the most innovative thinking in the various arts disciplines, these contributions offer important challenges to existing disciplinary orthodoxies. Also included in this volume is a long interview with Derrida, published here for the first time.

Table of Contents

  • Introduction
  • 1. The Spatial arts: an interview with Jacques Derrida
  • 2. Color has not yet been named: objectivity in deconstruction
  • 3. Light in painting: dis-seminating art history
  • 4. The dissumulation of painting
  • 5. The heuretics of deconstruction
  • 6. Impure mimesis, or the ends of the aesthetic
  • 7. Starting out from the frame (vignettes)
  • 8. Modernity again: the museum as trompe l'oeil
  • 9. Brushed path, slate line, stone circle: on Martin Heidegger, Richard Long, and Jacques Derrida
  • 10. Frank Stella and Jacques Derrida: toward a postmodern ethics of singularity
  • 11. Sketch: counterpoints of the eye: hand-eye coordination: translation and ...
  • 12. The Domestication of the house: deconstruction after architecture
  • 13. Tabbles of bower
  • 14. Cinema-Graphia: Eisenstein, Derrida and the sign of cinema
  • 15. Hermes goes Hollywood: disarticulating the cops 'n' robbers genre
  • 16. The Signature experiment finds Andy Hardy
  • 17. Sending postcards in TV land.

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