Arguments for a theatre
著者
書誌事項
Arguments for a theatre
Manchester University Press , Distributed exclusively in the USA and Canada by St. Martin's Press, c1993
2nd ed
- : hardback
- : pbk
大学図書館所蔵 全12件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
- 巻冊次
-
: hardback ISBN 9780719039973
内容説明
The author of over 30 plays, including "The Castle", "Scenes from an Execution" and "The Possibilities", Howard Baker does not accept the theatrical conventions of what he terms "The Establishment Theatre". These fragments, essays, poems and thoughts on the nature of theatre likewise reject the constraints of "objective" academic theatre criticism. Rather, they explore the collision and collusion of intellect and artistry in the creative act. This new edition features a new introduction by Amanda Price and over twice as many essays.
目次
- Part 1: introduction to second edition. Part 2: 49 asides for a tragic theatre
- ye gotta laugh
- conversation with a dead poet
- on language in drama
- radical elitism in the theatre
- notes to "The Bite of the Night"
- honouring the audience
- the politics beyond the politics
- the consolations of catastrophe
- beauty and terror in the theatre of catastrophe
- Juha Malmivaara's "Scenes from an Execution"
- on Nigel Terry's performance of savage in "The Bite of the Night"
- on watching a performance by life prisoners
- the offer, the reward and the need to disappoint
- the audience, the soul and the stage
- the catastrophic theatre
- theatre without a conscience
- the deconsecration of meaning in the theatre of catastrophe
- the cult of accessibility and the theatre of obscurity
- a bargain with impossibility - the theatre of moral speculation in an age of accord
- recognition as aesthetic paralysis in theatre
- the theatre lies under a shroud
- the state of loss as the end of a dramatic performance
- two Bradshaws
- the idea of promiscuity in the theatre of catastrophe
- on the sickness of the audience
- eleven building bricks
- stages in the education of an audience
- the anatomy of a sob
- the development of a theory of beauty for the stage
- towards a theory of production
- barely concealed irritation - a critical encounter on plethora. Part 3: a dialogue with David Ian Rabey
- interview with Howard Barker, Charles Lamb
- afterword, David Ian Rabey. Part 4: bibliography of primary works.
- 巻冊次
-
: pbk ISBN 9780719039980
内容説明
The author of over 30 plays, including "The Castle", "Scenes from an Execution" and "The Possibilities", Howard Barker does not accept the theatrical conventions of what he terms "The Establishment Theatre". These fragments, essays, poems and thoughts on the nature of theatre likewise reject the constraints of "objective" academic theatre criticism. Rather, they explore the collision and collusion of intellect and artistry in the creative act. This new edition features a new introduction by Amanda Price and over twice as many essays.
目次
- Part 1: introduction to second edition. Part 2: 49 asides for a tragic theatre
- ye gotta laugh
- conversation with a dead poet
- on language in drama
- radical elitism in the theatre
- notes to "The Bite of the Night"
- honouring the audience
- the politics beyond the politics
- the consolations of catastrophe
- beauty and terror in the theatre of catastrophe
- Juha Malmivaara's "Scenes from an Execution"
- on Nigel Terry's performance of savage in "The Bite of the Night"
- on watching a performance by life prisoners
- the offer, the reward and the need to disappoint
- the audience, the soul and the stage
- the catastrophic theatre
- theatre without a conscience
- the deconsecration of meaning in the theatre of catastrophe
- the cult of accessibility and the theatre of obscurity
- a bargain with impossibility - the theatre of moral speculation in an age of accord
- recognition as aesthetic paralysis in theatre
- the theatre lies under a shroud
- the state of loss as the end of a dramatic performance
- two Bradshaws
- the idea of promiscuity in the theatre of catastrophe
- on the sickness of the audience
- eleven building bricks
- stages in the education of an audience
- the anatomy of a sob
- the development of a theory of beauty for the stage
- towards a theory of production
- barely concealed irritation - a critical encounter on plethora. Part 3: a dialogue with David Ian Rabey
- interview with Howard Barker, Charles Lamb
- afterword, David Ian Rabey. Part 4: bibliography of primary works.
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