A Hitchcock reader

著者

書誌事項

A Hitchcock reader

edited by Marshall Deutelbaum and Leland Poague

Iowa State University Press, c1986

  • : pbk

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注記

Includes bibliographies

Filmography: p. 351-352

内容説明・目次

内容説明

Alfred Hitchcock, the 'Master of Suspense', has been internationally recognized as a technical and stylistic innovator in the history of cinema. "A Hitchcock Reader" grows out of the editors' desire as classroom teachers for a comprehensive anthology that can be used as a critical text in introductory or advanced courses devoted to the director's films. On another level, the book provides Hitchcock scholars with an updated anthology representing the rich variety of critical response his films have evoked over the years.Five sections make up "A Hitchcock Reader" - Taking Hitchcock seriously, Hitchcock in Britain, Hitchcock in Hollywood, The Later Films, and Hitchcock and Film Theory: A Psycho Dossier - each of which has an introductory essay by Deutelbaum or Poague. The choice of essay by Deutelbaum or Poague. The choice of essays reflects the history of film criticism and theory over the past thirty years, moving from the initial auteurist claims for taking Hitchcock seriously to the more recent psychological feminist, and Marxist theories that have latterly been brought to bear on his films.Hitchcock scholars, students of film criticism and theory, and film devotees, as well as anyone fascinated with the Hitchcock legacy, will find "A Hitchcock Reader" a provocative and stimulating anthology on the 'Master of Suspense. ' Marshall Deutelbaum teaches film in the English Department at Purdue University. He is the editor of "Image" on the Art and Evolution of the Film. Leland Poague teaches theory and criticism in the English Department at Iowa State University. His most recent books are "Howard Hawks and Film Criticism: A Counter Theory" (with William Cadbury).

目次

Preface Introduction Part One Taking Hitchcock Seriously Hitch and His Public (Jean Douchet) Hitchcock's Imagery and Art (Maurice Yacowar) Retrospective (Robin Wood) Hitchcock at Metro (Leonard J. Leff) Part Two Hitchcock's in Britain Hitchcock's The Lodger (Lesley W. Brill) Criticism and/as History: Rereading Blackmail (Leland Poague) Alfred Hitchcock's Murder!: Theater, Authorship, and the Presence of the Camera (William Rothman) Consolidation of a Classical Style: The Man Who Knew Too Much (Elisabeth Weis) Through a Woman's Eyes: Sexuality and Memory in The 39 Steps (Charles L. P. Silet) Rematerializing the Vanishing "Lady": Feminism, Hitchcock, and Interpretation (Patrice Petro) Part Three Hitchcock in Hollywood All in the Family: Alfred Hitchcock's Shadow of a Doubt (James McLaughlin) The Moral Universe of Hitchcock's Spellbound (Thomas Hyde) Notorious: Perversion par Excellent (Richard Abel) Strangers on a Train (Robin Wood) Part Four The Later Films Hitchcock's Rear Window: Reflexivity and the Critique of Voyeurism (Robert Stam and Roberta Pearson) Finding the Right Man in The Wrong Man (Marshall Deutelbaum) Male Desire, Male Anxiety: The Essential Hitchcock (Robin Wood) A Closer Look at Scopophilia: Mulvey, Hitchcock, and Vertigo (Marian E. Keane) North by Northwest (Stanley Cavell) The Universal Hitchcock (Ian Cameron and Richard Jeffery) The Birds: A Mother's Love (Margaret M. Horwitz) Mark's Marnie (Michele Piso) Part Five Hitchcock and Film Theory: A Psycho Dossier Psychosis, Neurosis, Perversion (Raymond Bellour) Psycho: The Institutionalization of Female Sexuality (Barbara Klinger) Links in a Chain: Psycho and Film Classicism (Leland Poague) A Brief Chronology Contributors

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