Ideology and cinematography in Hollywood, 1930-39

Bibliographic Information

Ideology and cinematography in Hollywood, 1930-39

Mike Cormack

Macmillan, 1994

Available at  / 2 libraries

Search this Book/Journal

Note

Bibliography: p. 161-162

Includes index

Description and Table of Contents

Description

Hollywood films of the 1930s are frequently treated as if they all conformed to one cinematographic style. This book shows that this was not the case and describes the various stylistic changes in the use of the camera and lighting which took place during the decade. These changes did not, of course, occur in a vacuum and the ideological conditions in which the films were made is shown to be a crucial factor in explaining these changes.

Table of Contents

List of Plates - Acknowledgements - Introduction - Ideology and Cinematographic Style - From Silent to Sound: 'All Quiet on the Western Front' - A Crisis of Explanation: The Early Thirties - Questioning Subjectivity: 'Dr Jekyll and Mr Hyde' - The New Deal in Hollywood, 1933- 35 - Screwball Restraint: 'The Awful Truth' - The Restrained Style, 1936- 38 - Towards Film Noir: 'Dead End' - The End of the Decade - Conclusion - References - Select Bibliography - Index

by "Nielsen BookData"

Details

  • NCID
    BA22000358
  • ISBN
    • 0333534433
    • 0333534433
  • Country Code
    uk
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Basingstoke
  • Pages/Volumes
    viii, 170 p.
  • Size
    23 cm
  • Classification
Page Top