The origins of French art criticism : from the Ancien Régime to the Restoration
著者
書誌事項
The origins of French art criticism : from the Ancien Régime to the Restoration
Clarendon Press, 1993
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注記
Bibliography: p. [363]-416
Includes index
内容説明・目次
内容説明
This comprehensive survey of the formation of French art criticism looks beyond the celebrated leading lights, such as Diderot and Stendhal, to examine the historical circumstances which made art criticism a flourishing journalistic venture. Between the mid-18th centuries and the 1820s, art critical writing became an established feature of the Parisian art world. Richard Wrigley considers the discourse of art criticism in the context of the dynamic political changes witnessed during this period. He locates the history of criticism with patterns of publishing, censorship and authorship, and pays particular attention to the Salon exhibitions which provided the central focus for both official and dissenting estimations of the state of French art. The production of critical texts, and the language that they employ draw together various modes of polemical and aesthetic discourse - from high-minded theorizing to vitriolic satires on contemporary art, artists and institutions. In a period during which open political discussion was often severely constrained, Wrigley shows that art criticism was a prime vehicle for debates about the political signficance of French culture.
目次
- The Salon in context
- the Salon
- in search of an art public
- between the studio and the Salon
- censorship and diffusion of criticism during the Ancien Regime
- the status of criticism
- the language of art criticism
- the hierarchy of the genres. Appendices: independent exhibitions, lotteries and subscription schemes
- some extensions to Salon exhibitions
- production of Salon pamphlets and press reviews
- a question of attribution - Lefebure or Carmontelle?
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