The origins of French art criticism : from the Ancien Régime to the Restoration
著者
書誌事項
The origins of French art criticism : from the Ancien Régime to the Restoration
Clarendon Press, 1993
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [363]-416
Includes index
内容説明・目次
内容説明
This comprehensive survey of the formation of French art criticism looks beyond the celebrated leading lights, such as Diderot and Stendhal, to examine the historical circumstances which made art criticism a flourishing journalistic venture. Between the mid-18th centuries and the 1820s, art critical writing became an established feature of the Parisian art world. Richard Wrigley considers the discourse of art criticism in the context of the dynamic political changes witnessed during this period. He locates the history of criticism with patterns of publishing, censorship and authorship, and pays particular attention to the Salon exhibitions which provided the central focus for both official and dissenting estimations of the state of French art. The production of critical texts, and the language that they employ draw together various modes of polemical and aesthetic discourse - from high-minded theorizing to vitriolic satires on contemporary art, artists and institutions. In a period during which open political discussion was often severely constrained, Wrigley shows that art criticism was a prime vehicle for debates about the political signficance of French culture.
目次
- The Salon in context
- the Salon
- in search of an art public
- between the studio and the Salon
- censorship and diffusion of criticism during the Ancien Regime
- the status of criticism
- the language of art criticism
- the hierarchy of the genres. Appendices: independent exhibitions, lotteries and subscription schemes
- some extensions to Salon exhibitions
- production of Salon pamphlets and press reviews
- a question of attribution - Lefebure or Carmontelle?
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