Patronage in Renaissance Italy : from 1400 to the early sixteenth century
著者
書誌事項
Patronage in Renaissance Italy : from 1400 to the early sixteenth century
John Murray, 1994
- : pbk
大学図書館所蔵 全22件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 340-357
Includes index
内容説明・目次
内容説明
This is a comprehensive study of patrons in the Italian quattrocento. It should be of interest to art historians and their students and to lovers of Renaissance art and civilization. At the start of the 15th century the patron, not the artist, was seen as the creator and he carefully controlled both subject and medium. In a competitive and violent age, image and ostentation were essential statements of power. Buildings, bronzes or tapestry were much more eloquent statements than the cheaper marble or fresco. The artistic quality that concerns us nowadays was less important then than perceived cost. The arts in any case were just part of a pattern of conspicuous expenditure which would have included for instance holy relics, manuscripts and jewels - all of which had the added advantage that they were portable and could be used as collateral for bank loans. Since Christian teaching frowned on wealth and power, money had also to be spent on religious endowments made in expiation. But here too the patron was in control, and used the arts and other means to express religious belief, not aesthetic sensibility. Thus artists in the Early Renaissance were employed as craftsmen.
Only late in the century did their relations with patrons start to adopt a pattern we might recognize today. This book, which also discusses the important differences between mercantile republics like Florence and Venice, the princely states such as Naples and Milan, and the papal court in Rome, offers a fuller understanding of why the works of this seminal period take the forms they do.
目次
- Note on money
- Florence
- civic pride and guild prestige
- merchants and morality
- Cosimo de' Medici
- for God, their city and themselves
- propaganda for the new republic
- Venice - heir of Byzantium
- image of the state
- the Scuole
- piety and patriotism
- the Italian courts
- Milan
- Naples
- Urbino
- Ferrara
- Mantua
- Rome - city of the Popes
- the return of the Papacy
- a new language
- morality and extravagance
- the Papal court
- the triumph of Rome. Appendices: the Medicis
- Venetian Doges
- rulers of Milan
- rulers of Naples
- rulers of Ferrara
- rulers of Martina
- the Popes
- Sixtus IV's nephews.
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