Twentieth-century European drama
著者
書誌事項
Twentieth-century European drama
(Insights)
Macmillan, 1994
- :pbk
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
- 巻冊次
-
ISBN 9780333532843
内容説明
This volume offers critical and theoretical perspectives on some of the major figures in European drama in the twentieth century. There are thirteen essays covering Luigi Pirandello, Bertolt Brecht, Stanislaw Witkiewicz, Samuel Beckett, Antonin Artaud, Eugene Ionesco, Jean Anouilh, Fernando Arrabal, Jean Genet, Peter Weiss, Vaclav Havel, comtemporary German theatre, and Dario Fo and Franca Rame. These specially commissioned essays combine contemporary theory with a discussion of the dramatic work of the playwrights who created modern drama in Europe.
目次
- Notes on the Contributors - Introduction: Thirteen Essays in Search of a Reader
- B.Docherty - Female Masks: Luigi Pirandello's Plays for Women
- S.Bassnett - The Theatre of Bertolt Brecht: Theory and Practice
- R.Speirs - Witkewicz and the Theatre of Death
- R.Howard - Beckett's Stage of Deconstruction
- L.St John Butler - Antonin Artaud and the Theatre of Cruelty
- B.L.Knapp - Ionesco's Plays: A Conspiracy of the Mind
- M.J.Hayes - The Heroic World of Jean Anouilh
- A.Amoia - Arrabal's Theatre of Liberation
- C.Schumacher - Artaud and Genet's The Maids
- G.Day - Weiss/Brooke: Marat/Sade
- G.Holderness - Time, Identity and Being: The World of Vaclav Havel
- P.Majer - The Germans in Britain
- A-M.Taylor - The Theatre of Dario Fo and Franca Rame: Laughing All the Way to the Revolution
- A.Montgomery - Index
- 巻冊次
-
:pbk ISBN 9780333532850
内容説明
This volume offers critical and theoretical perspectives on some of the major figures in European drama in the 20th century. There are 13 essays, covering Luigi Pirandello, Bertolt Brecht, Stanislaw Witkiewicz, Samuel Beckett, Antonin Artaud, Eugene Ionesco, Jean Anouilh, Fernando Arrabal, Jean Genet, Peter Weiss, Vaclav Havel, contemporary German theatre, and Dario Fo and Franca Fame. These essays combine contemporary theory with a discussion of the dramatic work and theories of theatre and drama of the playwrights who created modern drama in Europe. Brian Docherty is the co-editor of "Nineteenth-Century Suspense: From Poe to Conan Doyle", and editor of "American Crime Fiction: Studies in the Genre", "American Horror Fiction: From Brockden Brown to Stephen King", "Twentieth Century American Drama", "American Modernist Poetry", "Twentieth Century British Poetry 1900-50", Twentieth Century British Poetry 1950-90" and "The Beat Generation".
目次
- Introduction - 13 essays in search of a reader, Brian Docherty
- female masks - Luigi Pirandello's plays for women, Susan Bassnett
- the theatre of Bertolt Brecht - theory and practice, Ronald Speirs
- Wittewicz and the theatre of death, Roger Howard
- Beckett's stage of deconstruction, Lance St John Butler
- Antonin Artaud and the theatre of cruelty, Bettina L. Knapp
- Ionesco's plays - a conspiracy of the mind, Michael J. Hayes
- the heroic world of Jean Anouilh, Alba Amoia
- Arrabbel's theatre of liberation, Claude Schumacher
- Artaud and Genet's "The Maids", Gary Day
- Weiss/Brooke - "Marat/Sade", Graham Holderness
- time, identity and being - the world of Vaclav Havel
- Peter Majer
- the Germans in Britain, Anna-Marie Taylor
- the theatre of Dario Fo and Franca Rame - laughing all the way to the revolution, Angela Montgomery.
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