New worlds from fragments : film, ethnography, and the representation of Northwest Coast cultures
著者
書誌事項
New worlds from fragments : film, ethnography, and the representation of Northwest Coast cultures
(Studies in the ethnographic imagination)
Westview Press, 1994
- :
- : pbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
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注記
Includes bibliographical references (p. 177-187) and index
内容説明・目次
- 巻冊次
-
: ISBN 9780813385747
内容説明
Bringing together the insights of literary criticism, film theory, history and anthropology, this book explores the tradition of ethnographic film on the USA's Northwest Coast, and its relationship to the written ethnography of the area. Several hundred films are discussed.
目次
- "Persistence of Vision"
- Through a Glass Darkly - Terms and Problems for Analysis
- Celluloid Savages - Salvage Ethnography and the Narration of Disappearance
- Totems and the Potlatch People - Absence, Presence and the Denial of History
- Remembering - The Narratives of Renewal
- Wider Angles - Toward a Conclusion.
- 巻冊次
-
: pbk ISBN 9780813387833
内容説明
Bringing together the insights of literary criticism, film theory, history, and anthropology, this book explores the tradition of ethnographic film on the Northwest Coast and its relationship to the ethnography of the area. Rosalind Morris takes account of these films, organizing her discussions around a series of detailed readings and viewings that treat questions of form and content in broadly historical terms. Asking why the films took the direction they did, each with a distinct representational strategy, and how the written and filmic ethnographies of the area have differed from each other, she points out the complex relationships between particular epistemological positions, aesthetic strategies, and institutional politics. The book explores both the ethnographic imagination of the Northwest Coast and the place of that particular image in the disciplines representation of non-Western others. The introductory and concluding chapters extend the discussions beyond the Northwest Coast, directly addressing the politics of anthropological poetics through an analysis of the disciplines relationship to the Western mass medias imaging of non-Western peoples.
Morris works toward a radically historicized film theory, one that refuses the empiricism of documentary realism while confronting its own aesthetic traditions in order to re-envision them.
目次
* Preview: Persistence of Vision. Through a Glass Darkly: Terms and Problems for Analysis * Celluloid Savages: Salvage Ethnography and the Narration of Disappearance * Totems and the Potlatch People: Absence, Presence, and the Denial of History * Remembering: The Narratives of Renewal * Wider Angles: Toward a Conclusion
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