Elgar and his publishers : letters of a creative life
著者
書誌事項
Elgar and his publishers : letters of a creative life
Clarendon Press , Oxford University Press, 1987
- : [set]
- v. 1: 1885-1903
- v. 2: 1904-1934
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p
Includes index
内容説明・目次
内容説明
Throughout his career Elgar sought confidants in the publishing world and the resultant exchange of letters was a barometer of his moods and feelings. In this comprehensive collection Jerrold Northrop Moore has included every letter of importance between Elgar and his publishers that is known to survive. He has transcribed and annotated the letters and has written a linking commentary in the manner of his "Elgar on Record". Here for the first time are printed all the documents of his closest friendship, that with the publishing manager of Novello, A.J. Jaeger ('Nimrod' of the Enigma Variations ), including Jaeger's letters to Elgar. The growth of another important friendship, with the Novello chairman Alfred Littleton, is newly revealed. There are new insights, too, in the letters to the Boosey family and to Elgar's final publisher, Keith Prowse. These letters reach far back into the creative process, often to the formation of ideas and projects.
They form a rare record of the vital relationship between a composer and his publisher, but perhaps more valuable still is the picture that emerges of Elgar himself, for when he came upon someone to whom he could open his heart, the letters which he wrote are among the most arresting documents of a creative life. Readership: Elgarians; anyone interested in the relationship between a composer and publisher, or in the social and economic conditions of musical composition and publishing in England in the late nineteenth and early twentieth centuries.
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