Writing in the father's house : the emergence of the feminine in the Quebec literary tradition
著者
書誌事項
Writing in the father's house : the emergence of the feminine in the Quebec literary tradition
University of Toronto, c1991
- : cloth
- : pbk
- タイトル別名
-
Ecrire dans la maison du père : l'émergence du féminin dans la trandition littéraire du Québec
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical refernces and index
内容説明・目次
内容説明
Those who follow current trends in Canadian literature are aware that many of its most exciting and challenging new formats are coming from women writers of Quebec. Patricia Smart studies the historical roots of this development in her study of gender differences in Quebec literature. She offers a feminist perspective on 100 years of writing by both women and men, and argues that it is the women who have modified or subverted the traditions. This new work is her own translation of her study that won the 1988 Governor General's Award for Non-Fiction, Ecrire dans la maison du pere: L'emergence du feminin dans la tradition litteraire du Quebec.
Smart begins with a feminist reading of Laure Conan's Angeline de Montbrun, the only major novel written by a woman in nineteenth-century Quebec, and moves on to close readings of other classic works, from the novel of the land to postmodern and feminist works of the present era.
The Quebec literary tradition is not only 'his story' of the national dilemma. There is another telling, Smart concludes, in a different voice, from a different perspective, by women writers and by female characters in the works by men. Smart proposes a radically new interpretation of Quebec literature, one that includes that voice, that other perspective. For when they are listened to on their own terms, and not according to criteria based on men's writing practices, the voices of women writers and characters point to a way out of the female tradition of alienation and violence and to the possibility of a habitable future.
「Nielsen BookData」 より