Looking at art from the inside out : the psychoiconographic approach to modern art
著者
書誌事項
Looking at art from the inside out : the psychoiconographic approach to modern art
（Contemporary artists and their critics）
Cambridge University Press, 1994
- : pbk
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注記
The essays on Picasso (1980) are reprinted with minor revisions
Includes bibliographical references and index
内容説明・目次
内容説明
Looking at Art from the Inside Out highlights the role played by the psychological world of the artist in shaping the subject-matter and form of art works. Analysing masterpieces by Manet, Gauguin, Magritte and Picasso, Mary Mathews Gedo, who is trained in both art history and clinical psychology, details how the creative process can transform the artist's inner world into public statements meaningful for a broad audience. Demonstrating how biological predisposition, familial relationships and childhood experiences of future artists play a pivotal role in shaping their careers, she merges formal, iconographic and psychobiographical elements to provide unique insight into their production. Gedo's approach also restores to the artist his or her place at the centre of art history and critical inquiry.
目次
- 1. Final reflections: Bar at the Folies Bergere as Manet's adieu to art and life
- 2. Wrestling Anew with Gauguin's Vision after the Sermon
- 3. The archaeology of a painting: A visit to the city of the dead beneath Picasso's La Vie
- 4. A youthful genius confronts his destiny: Picasso's Old Guitarist as a prognostication of his future
- 5. Art as exorcism: Picasso's Demoiselles d'Avignon
- 6. Art as autobiography: Picasso's Guernica
- 7. Meditations on madness: the art of Rene Magritte
- 8. Homesick and heartsick: Rene Magritte's artistic and personal crisis of the 1940s.
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