The singer as interpreter : Claire Croiza's master classes
著者
書誌事項
The singer as interpreter : Claire Croiza's master classes
Victor Gollancz, 1989
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"These Master Classes have been taken and translated from "Un art de l'interprétation Claire Croiza" by Hélène Abraham ... published ... 1954"--T.p. verso
Discography: p. 191-195
内容説明・目次
内容説明
This biographical text contains translations of some of the master classes given by Claire Croiza in the 1930s, when she lectured on many aspects of singing and interpretation with particular reference to French composers. The stage of her career with which the book is chiefly concerned is her work as a singer for such composers as Faure, Debussy, Duparc, De Breville, Roussel, Milhaud and Honegger, who admired her interpretations of their songs. Because of her intimate knowledge of how these composers wished their works to be performed, she was asked to give classes at the Ecole Normale de Musique in Paris in the late 1920s and throughout the 1930s. The text describes her comments on individual songs, and attempts to relate the informal character of her lectures or "causeries".
目次
- Recollections of Claire Croiza
- how to work at singing
- respect for the musical text
- articulation and pronunciation
- poem and composer
- imagination and interpretation on the concert platform
- choice of repertoire
- the public and the psychology of the interpreter
- songs of French composers - Gounod, Bizet, Chabrier, Faure, Duparc, Chausson, Debussy, Roussel, Ravel, Caplet, Milhaud
- the interpreter on stage
- Orphee in Gluck's opera
- Carmen in Bizet's opera with reference to Merimee
- "Pelleas et Melisande" by Debussy.
「Nielsen BookData」 より