The violent muse : violence and the artistic imagination in Europe, 1910-1939
著者
書誌事項
The violent muse : violence and the artistic imagination in Europe, 1910-1939
Manchester University Press , Distributed exclusively in the USA and Canada by St. Martin's Press, c1994
- : hbk
- : pbk
大学図書館所蔵 全15件
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  愛知
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  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
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  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
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注記
Includes bibliographical references (p. [161]-166) and index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780719037177
内容説明
This book presents an analysis of the phenomenon of the aesthetics of sexual and political violence, a central theme in European culture of the early 20th century. Presenting a synthesis of a wide range of material across disciplines and an analysis of the sources of such ideas in their political, historical and cultural context, this volume presents a broad treatment of the theme of violence during this turbulent period. The major cultural movements and individuals of the early 20th-century avant-garde are examined for their use of violence as inspiration in their artistic production. Themes explored include violence and the body; machinery and technology; Vorticism; Dada; Italian Futurism; Surrealism; violence in the avant-garde cinema; military defeat and the representation of war; the relationship of creativity and violence. Exploring the work of English, German, Italian, French, Spanish and Russian painters and writers, including Georges Sorel, Wyndham Lewis, Paul Nash, Brecht and Louis-Ferdinand Celine, the contributors provide an insight into the early 20th-century European avant-garde.
目次
- Preface, Jana Howlett and Rod Mengham
- sex, violence and art - Bataille's revolution, Peter Collier
- images of war - Paul Nash's paintings of the Western Front, Richard Cork
- violence and theories of modernity, David Forgacs
- myth-making in Russian war poetry, Katharine Hodgson
- death, war, revolution - literary responses to the Russian civil war, Jana Howlett
- the violent image - the uses of violence in avant-garde cinema, Andrew Martin
- from Georges Sorel to "Blast", Rod Mengham
- the ecstasy of battle - German depictions of warfare, David Midgley
- expressionism and the First World War, Michael Minden
- who whom? violence, politics and the aesthetic, Naomi Segal
- disasters of war - image and experience in Spain, Alison Sinclair
- imaginary violence - the fictional worlds of Louis Ferdinand Celine, Michael Tilby
- dismembering the body politic - Brecht's early plays, Elizabeth Wright.
- 巻冊次
-
: pbk ISBN 9780719037184
内容説明
This book presents an analysis of the phenomenon of the aesthetics of sexual and political violence, a central theme in European culture of the early 20th century. Presenting a synthesis of a wide range of material across disciplines and an analysis of the sources of such ideas in their political, historical and cultural context, this volume presents a broad treatment of the theme of violence during this turbulent period. The major cultural movements and individuals of the early 20th-century avant-garde are examined for their use of violence as inspiration in their artistic production. Themes explored include violence and the body; machinery and technology; Vorticism; Dada; Italian Futurism; Surrealism; violence in the avant-garde cinema; military defeat and the representation of war; the relationship of creativity and violence. Exploring the work of English, German, Italian, French, Spanish and Russian painters and writers, including Georges Sorel, Wyndham Lewis, Paul Nash, Brecht and Louis-Ferdinand Celine, the contributors provide an insight into the early 20th-century European avant-garde.
目次
- Preface, Jana Howlett and Rod Mengham
- sex, violence and art - Bataille's revolution, Peter Collier
- images of war - Paul Nash's paintings of the Western Front, Richard Cork
- violence and theories of modernity, David Forgacs
- myth-making in Russian war poetry, Katharine Hodgson
- death, war, revolution - literary responses to the Russian civil war, Jana Howlett
- the violent image - the uses of violence in avant-garde cinema, Andrew Martin
- from Georges Sorel to "Blast", Rod Mengham
- the ecstasy of battle - German depictions of warfare, David Midgley
- expressionism and the First World War, Michael Minden
- who whom? violence, politics and the aesthetic, Naomi Segal
- disasters of war - image and experience in Spain, Alison sinclair
- imaginary violence - the fictional worlds of Louis Ferdinand Celine, Michael Tilby
- dismembering the body politic - Brecht's early plays, Elizabeth Wright.
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