French motets in the thirteenth century : music, poetry and genre

書誌事項

French motets in the thirteenth century : music, poetry and genre

Mark Everist

(Cambridge studies in medieval and Renaissance music)

Cambridge University Press, 1994

タイトル別名

French motets in the 13th century

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.

目次

  • Part I. Origins: 1. Introduction
  • 2. The origins and early history of the motet
  • 3. The French motet
  • Part II. Genre: 4. The motet ente
  • 5. Rondeau-Motet
  • 6. Refrain cento
  • 7. Devotional forms
  • 8. The motet and genre
  • Bibliography
  • Index.

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