Why architects draw
Author(s)
Bibliographic Information
Why architects draw
MIT Press, c1994
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [310]-315)
Description and Table of Contents
Description
Edward Robbins, an anthropologist, has been studying and writing for 20 years about the system of architectural education and practice in this country and abroad. This work examines the social uses of architectural drawing: how drawing acts to direct both the conception and the production of architecture; how it helps architects set an agenda, define what is important about a design, and communicate with colleagues and clients; and how it embodies claims about the architect's role, status, and authority. The centrepiece of Robbins's investigation consists of case study narratives based on interviews with nine architects, a developer-architect and an architectural engineer. These narratives from a broad range of practitioners and schools of thought, including contemporary architects, offer an opportunity to compare different views about the use of drawings. The narratives are illustrated by the architects' drawings (some never before published) from projects in Japan, England, Italy, Germany, Spain, Portugal and the US, from conception through realization.
Included are orthographic and axonometric projections, perspectives, elevations, plans, sections, working drawings, sketches, schematics, construction and finished drawings.
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