Rosso in Italy : the Italian career of Rosso Fiorentino
著者
書誌事項
Rosso in Italy : the Italian career of Rosso Fiorentino
Yale University Press, 1994
大学図書館所蔵 全18件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 317-321) and index
内容説明・目次
内容説明
Rosso Fiorentino is one of the most original and difficult painters of the entire Renaissance period, and a crucial figure among the so-called Mannerists. This account of the life and works of the Florentine painter and draftsman covers the period from his birth in 1494 until about 1530, when he abandoned Italy for France and the court of Francis I, where he finally received the recognition he deserved. Offering an analysis of Rosso's Italian career and its historical context, this book provides an account of his paintings and a detailed assessment of his Italian patronage. Beginning with his first works in Florence, David Franklin examines in close detail not only Rosso's technique and the stylistic qualities of his paintings and drawings, but also his relationship with his patrons, establishing - in many cases for the first time - the circumstances in which the paintings were commissioned and what functions and significance they might have had when they were produced.
As Franklin charts Rosso's career in Florence and Rome, Volterra, Perugia, San Sepolcro and Citta di Casteflo, the contextual study of his work becomes particularly intriguing, revealing how his art was received in the unusually large number of places in which he worked, not least because his paintings were frequently rejected by his patrons. Illustrated with some of the most powerful works of the Renaissance, this book throws light upon issues of interpretation that arise in very different areas of the study of 16th-century painting and design. In providing a new basis for the assessment of Rosso, it opens up new perspectives for considering the period as a whole.
目次
- Rosso's first works - "La maniera gagliarda e di grandezza piu degli altri, leggiadra e maravigliosa"
- Rosso, Leonaro Buonafe and the Francesca Ripoi altarpiece
- Rosso in Piombino and Volterra
- the second Florentine period
- "In Urbe"
- Rosso following Rome - Perugia and Sansepolcro
- the Citta di Castello altarpiece
- the portraits
- Arezzo
- Venice and beyond. Appendices: corpus of documents
- chronological list of secure dates for Rosso Fiorentino in Italy
- topographical index of Rosso's paintings produced in Italy.
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