Dirty looks : women, pornography, power

著者

書誌事項

Dirty looks : women, pornography, power

edited by Pamela Church Gibson and Roma Gibson

BFI Pub., 1993

  • : pbk

大学図書館所蔵 件 / 10

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注記

Includes bibliographical references and index

収録内容

  • Does pornography cause violence? : the search for evidence / Lynne Segal
  • The body's shadow realm / Gertrud Koch
  • Second thoughts on Hard core : American obscenity law and the scapegoating of deviance / Linda Williams
  • Through a gaze darkly : pornography's academic market / Jennifer Wicke
  • The erotic in Asian cinema / Maureen Turim
  • Look back/talk back / Bette Gordon and Karyn Kay
  • Complicity : women artists investigating masculinity / Liz Kotz
  • She-male fantasies and the aesthetics of pornography / Laura Kipnis
  • "Above the pulp-line" : the cultural significance of erotic art / Lynda Nead
  • The seduction of boundaries : feminist fluidity in Annie Sprinkle's art/education/sex / Chris Straayer
  • A provoking agent : the pornography and performance art of Annie Sprinkle / Linda Williams
  • Confessions of a complete scopophiliac / Grace Lau
  • Maid to order : commercial S/M and gender power / Anne McClintock

内容説明・目次

巻冊次

ISBN 9780851704036

内容説明

Pornography produces a mixture of gut reactions in most people: fascination, guilt, disgust, rage. What it doesn't often stimulate, this text claims, is an open mind and reasoned discussion. This text argues that as women have much at stake, it is not surprising that campaigns in favour of increased censorship should have recruited them to their ranks, but it insists that there are good reasons for women to resist the rush towards moral outrage. This collection of essays, all by women, asserts that the issues are both more complex and more interesting than the censorship lobby allows. It is a text about the practice as well as the theory of pornography, and includes essays by photographer, Grace Lau, and writers Lynne Segal and Linda Williams.
巻冊次

: pbk ISBN 9780851704043

内容説明

Pornography produces a mixture of gut reactions in most people: fascination, guilt, disgust, rage. What it doesn't often stimulate, this text claims, is an open mind and reasoned discussion. The text argues that as women have much at stake, it is not surprising that campaigns in favour of increased censorship should have recruited them to their ranks, but it insists that there are good reasons for women to resist the rush towards moral outrage. This collection of essays, all by women, asserts that the issues are both more complex and more interesting than the censorship lobby allows. It is a text about the practice as well as the theory of pornography, and includes essays by photographer, Grace Lau, and writers Lynne Segal and Linda Williams.

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