Pious brief narrative in medieval Castilian & Galician verse : from Berceo to Alfonso X
Author(s)
Bibliographic Information
Pious brief narrative in medieval Castilian & Galician verse : from Berceo to Alfonso X
(Studies in Romance languages, 21)
University Press of Kentucky, c1978
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [133]-135
Includes index
Description and Table of Contents
Description
"Brief narratives," or medieval precursors to the modern short story, are compositions couched in the form of a tale of reasonable short length. They began with writings in Latin and, eventually, made their way into the vernacular languages of Europe. They include the fable, the apologue, the exemplum, the saint's life, the miracle, the biography, the adventure tale, the romance, the jest, and the anecdote, among others. In Spain, the oldest extant brief narratives in written form are in verse and date from the late twelfth and early thirteenth centuries. The earliest examples include La vida de Santa Maria Egipciaca and El libre dels tres reys d'Orient. Both are concise enough to be read in one sitting and were probably read before or after meals as entertainment.
In Pious Brief Narrative in Medieval Castilian and Galician Verse, John E. Keller studies the structure of the pious brief narrative, including such works at the Cantigas de Santa Maria of Alfonso X and Gonzalo de Berceo's Milagros de Nuestra Senora, among others. He examines which narrative techniques were employed by their authors, including versification, music, and the pictorial arts as aids to narration. Using nine basic elements -- plot, setting, conflict, characterization, theme, style, effect, point of view, and mood or tone -- Keller shows how writers in medieval Spain employed more sophisticated uses of these techniques than has previously been recognized.
Table of Contents
Introduction: Walker Percy, American Political Life, and Indigeneous American Thomism
An Introduction to Walker Percy
The Moviegoer's Cartesian Theater
Walker Percy's Critique of the Pursuit of Happiness in The Moviegoer, Lost in the Cosmos: The Last Self-Help Book, and The Thanatos Syndrome
On Dealing with Man
Walker Percy's 'Theory of Man' and the Elimination of Virtue
Confessing the Horrors of Radical Individualism in Lancelot
Walker Percy's Alternative to Scientism in The Thanatos Syndrome
Love and Marriage Among the Ruins
Walker Percy's Last Men
The Second Coming of Walker Percy
Walker Percy, Alexis de Tocqueville and the Stoic and Christian Foundations of American Thomism
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