Art apart : art institutions and ideology across England and North America
著者
書誌事項
Art apart : art institutions and ideology across England and North America
Manchester University Press , Distributed exclusively in the USA and Canada by St. Martin's Press, c1994
- : pbk
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
ISBN 9780719039171
内容説明
From the Museum of Modern Art in New York to the Tate in London, this book examines the ways in which major international museums, galleries and arts-funding bodies address their roles in relation to wider cultural and political issues such as education, public accountability and avant-gardism. A series of case studies provide information about the origins and development of a selection of significant art institutions, and a critique of display and management within cultural organizations. It also sets out the major debates in this field, including the fundamental question as to what actually consititutes an institution.
目次
- Part 1 Whose museum? whose gallery?: from penitentiary to "Temple of Art" - early metaphors of improvement at the Millbank Tate, Brandon Taylor
- culture, class, city - the national gallery, London and the spaces of education, 1822-1857, Colin Trodd
- 1968 and all that - the founding of the national portrait gallery, Washington DC, Marcia Pointon
- the South Kensington museum - the building of the house of Henry Cole, Louise Purbrick. Part 2 Artifacts, identity and nationhood: the battle over "The West as America", 1991, Alan Wallach
- blinded by science - ethnography at the British museum, Annie E. Coombes
- the politics of display - a "literary and historical" definition of Quebec in 1830s British North America, Karen Stanworth
- Norman Rockwell and the Saturday Evening Post - advertising, iconography and mass production 1897-1929, C.E. Brookeman. Part 3 A proper place for the modern: cultured into crisis - the arts council of Great Britain, Jonathan Harris
- the politics of presentation - the museum of modern art, New York, Christoph Grunenberg
- inside-out - assumptions of "English" modernism in the Whitechapel art gallery, London, 1914, Juliet Steyn
- the frightening freedom of the brush - the Boston Institute of Contemporary Art and Modern Art, Serge Guilbaut. Part 4 Museum spaces and contemporary art: questioning the structure - the museum context as content, Anne Rorimer
- the museum of contemporary art, Los Angeles - an account of collaboration between artists, trustees, and an architect, Jo-Anne Berelowitz.
- 巻冊次
-
: pbk ISBN 9780719039188
内容説明
From the Museum of Modern Art in New York to the Tate in London, this book examines the ways in which major international museums, galleries and arts-funding bodies address their roles in relation to wider cultural and political issues such as education, public accountability and avant-gardism. A series of case studies provide information about the origins and development of a selection of significant art institutions, and a critique of display and management within cultural organizations. It also sets out the major debates in this field, including the fundamental question as to what actually consititutes an institution.
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