Writing and inscription in Golden Age drama

書誌事項

Writing and inscription in Golden Age drama

Charles Oriel

(Purdue studies in Romance literatures, v. 1)

Purdue University Press, c1992

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注記

Originally presented as the author's thesis (George Washington University, 1989)

Includes bibliographical references (p. 173-184) and index

内容説明・目次

内容説明

Spain's Golden Age represents a transition from a largely oral tradition to a world in which information and culture were transmitted by way of written or printed documents. Contemporary theory has done much to elucidate the cultural and aesthetic implications of this transition. Utilizing concepts derived from such theorists as Derrida, Ong, and Austin, this study examines how writing and inscription are foregrounded and problematized in five Golden Age dramas: El villano en su rincon, by Lope de Vega; La estrella de Sevilla, of disputed authorship; El ejemplo mayor de la desdicha, by Mira de Amescua; Cautela contra cautela, by Tirso de Molina; and La cisma de Inglaterra, by Calderon de la Barca.

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