Music of the repressed Russian avant-garde, 1900-1929

著者

• Sitsky, Larry

書誌事項

Music of the repressed Russian avant-garde, 1900-1929

Larry Sitsky

（Contributions to the study of music and dance, no. 31）

Greenwood Press, 1994

注記

Includes bibliographies and index

内容説明・目次

内容説明

Soviet and Russian music of the first third of the 20th century--with the exception of the music of a few high-profile composers who were officially sponsored by the State--is still largely unexplored territory, known only to a few specialists. Nevertheless, the music has considerable intrinsic value well beyond its curiosity appeal, and includes many pieces unaccountably forgotten and certainly worth reviving, to the ultimate enhancement of our concert repertoire. The study of this music also explains much about the foundations of Soviet culture and its subsequent suppression and decline under the Stalinist yoke. The purpose of this volume is to stimulate interest in this little-known area of Soviet/Russian music. The works charted here constitute a great flowering of avant-garde music which was then savagely dealt with for Stalin's political purposes.

目次

Preface Abbreviations Acknowledgments Historical Background: Anatoliy V. Lunacharsky, the Cultured Commissar The Precursors Vladimir I. Rebikov: The Inventor of Whole-Tone Music Aleksei V. Stanchinskiy: The Diatonic Webern The Big Three Nikolai A. Roslavets: The Russian Schoenberg Aleksandr V. Mosolov: The Man of Steel Arthur V. Lourie: The Decadent Out of Place The Smaller Five Leonid A. Polovinkin: The Partial Avant-Gardist Vladimir V. Shcherbachev: Old Wine in New Vessels Lev K. Knipper: Wind from the West Boris N. Liatoshinski: The Passionate Slav Vladimir M. Deshevov: The Man of the Theater The Reluctant Avant-Gardists Samuil E. Feinberg: The Post-Scriabin Pianist Anatoliy N. Aleksandrov: The Post-Rachmaninovian Boris A. Aleksandrov: Son of the Composer of the Soviet Anthem The Jewish School Aleksandr A. Krein: Voice in the Wilderness Grigoriy A. Krein: Toward Assimilation Yulian G. Krein: Precocious Cosmopolitan Aleksandr M. Veprik: The Ukrainian Bartok and Bloch Mikhail F. Gnessin: The Jewish Glinka Composers in Exile Ivan A. Vishnegradsky: Microtones Nikolai Obukhov: Mystic Beyond Scriabin Iosif M. Schillinger: Gershwin's Teacher Aleksandr N. Tcherepnine: Suave Internationalist Musicologists and Transients Sergei V. Protopopov: The Post-Scriabin Composer Leonid L. Sabaneev: Would-be Scientist Becomes Critic Dmitriy M. Melkikh: Rhapsodist Gavrill N. Popov: Contrapuntalist Aleksei S. Zhivotov: Notorious for One Piece Efim Golyshchev: The First Serialist? Georgi M. Rimsky-Korsakov: Microtonist Appendix: Further Scores for Study and Reference Index

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詳細情報

• NII書誌ID(NCID): BA24093032
• ISBN:
  • 031326709X
• LCCN: 93035836
• 出版国コード: us
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: Westport, Conn.
• ページ数/冊数: xii, 347 p.
• 大きさ: 25 cm
• 分類:
  • LCC : ML300.5
  • DC20 : 780/.947/09041
• 件名:
  • LCSH : Music -- Russia -- 20th century -- History and criticism
  • LCSH : Music -- Soviet Union -- 20th century -- History and criticism
  • LCSH : Avant-garde (Music)
• 親書誌ID:
  • BA10431625