Homo, memento finis : the iconography of just judgment in medieval art and drama : papers

書誌事項

Homo, memento finis : the iconography of just judgment in medieval art and drama : papers

by David Bevington ... [et al.]

(Early drama, art, and music monograph series, 6)

Medieval Institute Publications, Western Michigan University, 1985

  • : pbk

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注記

Includes bibliographies and index

内容説明・目次

内容説明

The medieval cycle plays from such cities as York and Chester culminated in a drama about the end of time, the Last Judgment. David Bevington and the other contributors to this book look at this final event of history as depicted in pre-modern times, and the result is a work of scholarly precision that, according to Bevington's introduction, attempts to see medieval drama in the context of other medieval art forms.

目次

For God Is Such a Doomsman: Origins and Development of the Theme of Last Judgment by Pamela Sheingorn Let Us Seek Him Also: Tropological Judgment in Twelfth-Century Art and Drama by Ronald B. Herzman Nowe Ys Common This Daye: Enoch and Elias, Antichrist, and the Structure of the Chester Cycle by Richard Kenneth Emmerson Alle This Was Token Domysday to Drede: Visual Signs of Last Judgment in the Corpus Christi Cycles and in Late Gothic Art by Pamela Sheingorn and David Bevington Man, Thinke on Thine Endinge Day: Stage Pictures of Just Judgment in The Castle of Perseverance by David Bevington To Put Us in Remembrance: The Protestant Transformation of Images of Judgment by Huston Diehl L'Envoi by David Bevington

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