Cinematic landscapes : observations on the visual arts and cinema of China and Japan
著者
書誌事項
Cinematic landscapes : observations on the visual arts and cinema of China and Japan
University of Texas Press, c1994
1st ed
- : pbk
大学図書館所蔵 全27件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes filmography (p. 323-326)
Includes bibliographical references (p. 327-330) and index
内容説明・目次
内容説明
China and Japan both have traditional art forms that have been highly developed and long studied. In these original essays, noted film and art scholars explore how the spatial consciousness, compositional techniques, and construction of images in these traditional and modern art forms also inform filmmaking in the two countries, so that film and art share the same culturally defined "methods of seeing."
This first major study of the relationship between Chinese and Japanese art and film brings together writers from the United States, Europe, Australia, China, and Japan, including Japan's well-known film critic Sato Tadao and Beijing Film Academy's Ni Zhen, screenwriter of the Oscar-nominated film Raise the Red Lantern. The essays discuss the influence of the traditional arts, including scroll painting and printmaking, on Chinese and Japanese cinema and demonstrate that national cinemas cannot be completely understood without considering their indigenous traditions.
目次
Acknowledgments
Introductory Remarks
Editors' Introduction
Table: Major Historical Periods
1. Contrasts in Chinese and Japanese Art (Sherman Lee)
Part One
Film and the Visual Arts in China: An Introduction (Douglas Wilkerson)
2. Chinese Visual Representation: Painting and Cinema (Hao Dazheng)
3. Classical Chinese Painting and Cinematographic Signification (Ni Zhen)
4. Post-Socialist Strategies: An Analysis of Yellow Earth and Black Cannon Incident (Chris Berry and Mary Ann Farquhar)
5. The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children (An Jingfu)
6. Judou: An Experiment in Color and Portraiture in Chinese Cinema (Jenny Kwok Wah Lau)
Part Two
Film and the Visual Arts in Japan: An Introduction (Thomas Rimer)
7. The Influence of Traditional Aesthetics on the Japanese Film (Donald Richie)
8. Japanese Cinema and the Traditional Arts: Imagery, Technique, and Cultural Context (Sato Tadao)
9. Genroku chushingura and the Primacy of Perception (D. William Davis)
10. Ways of Seeing Japanese Prints and Films: Mizoguchi's Utamaro (Dudley Andrew)
11. Kobayashi's Widescreen Aesthetic (Cynthia Contreras)
12. Playing with Form: Ichikawa's An Actor's Revenge and the "Creative Print" (Linda C. Ehrlich)
13. Playing with Space: Ozu and Two-Dimensional Design in Japan (Kathe Geist)
14. Gate of Flesh(tones): Color in the Japanese Cinema (David Desser)
Filmography
Selected Works
Notes on Contributors
Index
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