Cave art
著者
書誌事項
Cave art
(Shire archaeology, 64)
Shire, c1991
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Series number from spine
Includes bibliographical references (p. 63) and index
内容説明・目次
内容説明
When the painted cave of Altamira in northern Sapin was discovered in the late nineteenth century few believed that the decoration was the work of stone age man. As further discoveries were made in France and Spain and archaeologists proved the antiquity of the remarkable art, modern man realised the great skill and artistic ability of his forebears during the extreme cold at the end of the ice age. Between 35,000 and 12,000 years ago, hunters penetrated deep into caves to paint and engrave images of wild animals, many of them, like the mammoth and wooly rhinoceros, now long extinct. Because of the risks involved, this was clearly done for some special, perhaps religious or ceremonial purpose. At caves like Lascaux in France many parts of the walls and ceilings were covered with spectacular and colourful paintings, while other caves were carved or engraved with the lifelike figures. This book describes the evidence of the way of life of the artists and how archaeologists pieced together the evidence of this remote period. It analyses how the art was executed and is dated, what it portrays and where it is to be found.
The animals depicted are described and the interpretations behind the decoration explored. The book is written as an introduction to a complex and fascinating subject which is seldom presented and explained in an uncomplicated fashion.
目次
- Introduction
- Discovery and acceptance
- content
- Interpretation
- Places to visit
- Further reading
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