Bibliographic Information

E.M. Forster

edited by Jeremy Tambling

(New casebooks)

Macmillan, 1995

  • : pbk

Available at  / 54 libraries

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Note

Includes bibliographical notes, further readings (p. 229-230), and index

"Contemporary critical essays"--Cover of pbk

Description and Table of Contents

Volume

ISBN 9780333601297

Description

This anthology of essays on E.M. Forster's major novels draws together approaches from many aspects of new critical theory. As well as essays on The Longest Journey, A Room With a View, Maurice, Howards End and A Passage to India, the volume includes a specially-commissioned essay on the recent spate of Forster films. The casebook establishes a new case for Forster as a figure of more than merely conventional interest with a central place in twentieth-century literature.

Table of Contents

  • Acknowledgements - General Editors' Preface - Introduction
  • J.Tambling - Forster's Trespasses: Tourism and Cultural Politics
  • J.Buzard - 'Aphrodite with a Janus Face': Language, Desire and History in The Longest Journey
  • R.H.Stoll - Absent Father: Passive Son: The Dilemma of Rickie Elliot in The Longest Journey
  • C.M.Kaplan - 'Islands of Money': Rentier Culture in Howards End
  • P.Delany - Gesturing Towards an Open Space: Gender, Form and Language in Howards End
  • E.Langland - Edward Carpenter and the Double Structure of Maurice
  • R.K.Martin - Forster's Friends
  • R.Bharucha - The Politics of Representation in A Passage to India
  • B.Parry - Forster's Imperial Erotic
  • S.S.Goodyear - Periphrasis, Power and Rape in A Passage to India
  • B.R.Silver - A Passage to India: A Passage to the Patria?
  • P.Pether - A Disconnected View: Forster, Modernity and Film
  • P.J.Hutchings - Further Reading - Notes on Contributors - Index
Volume

: pbk ISBN 9780333601303

Description

This anthology of essays on E.M. Forster's major novels draws together approaches from many aspects of new critical theory. As well as essays on The Longest Journey, A Room With a View, Maurice, Howards End and A Passage to India, the volume includes a specially-commissioned essay on the recent spate of Forster films. The casebook establishes a new case for Forster as a figure of more than merely conventional interest with a central place in twentieth-century literature.

Table of Contents

  • Acknowledgements.- General Editors' Preface.- Introduction
  • J.Tambling.- Forster's Trespasses: Tourism and Cultural Politics
  • J.Buzard.- 'Aphrodite with a Janus Face': Language, Desire and History in The Longest Journey
  • R.H.Stoll.- Absent Father: Passive Son: The Dilemma of Rickie Elliot in The Longest Journey
  • C.M.Kaplan.- 'Islands of Money': Rentier Culture in Howards End
  • P.Delany.- Gesturing Towards an Open Space: Gender, Form and Language in Howards End
  • E.Langland.- Edward Carpenter and the Double Structure of Maurice
  • R.K.Martin.- Forster's Friends
  • R.Bharucha.- The Politics of Representation in A Passage to India
  • B.Parry.- Forster's Imperial Erotic
  • S.S.Goodyear.- Periphrasis, Power and Rape in A Passage to India
  • B.R.Silver.- A Passage to India: A Passage to the Patria?
  • P.Pether.- A Disconnected View: Forster, Modernity and Film
  • P.J.Hutchings.- Further Reading.- Notes on Contributors.- Index.

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