Musical theatre at the court of Louis XIV : le mariage de la Grosse Cathos

Bibliographic Information

Musical theatre at the court of Louis XIV : le mariage de la Grosse Cathos

Rebecca Harris-Warrick, Carol G. Marsh

(Cambridge musical texts and monographs)

Cambridge University Press, 1994

  • : hbk

Available at  / 17 libraries

Search this Book/Journal

Note

Bibliographiy: p. 330-336

Includes index

Description and Table of Contents

Description

Dance played a major role in all French Baroque theatrical entertainments. Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance, largely because it has survived complete in all its components - choreography, music, and text - and also because it uses a previously unknown dance notation system. This book reproduces the entire manuscript of this ballet and provides a comprehensive study of the work itself and of the circumstances in which it was created and performed. Chapters devoted to the composer, choreographer, and performers provide a framework for understanding the performance context not only of this work, but of other court entertainments of the period. A study and evaluation of the notation system in which the dances are recorded, together with a detailed analysis of the dances, completes the introduction.

Table of Contents

  • Introduction
  • 1. The performance context
  • 2. The creators and performers
  • 3. Le Mariage de la Grosse Cathos in performance
  • 4. The music
  • 5. The dance notation
  • 6. The dances
  • 7. The sources
  • Appendix A. Libretto
  • Appendix B. Reproduction of the article 'Choregraphie' from the Encyclopedie ou dictionnaire raisonne des sciences, des arts et des metiers (1753).

by "Nielsen BookData"

Related Books: 1-1 of 1

Details

Page Top