書誌事項

The masterwork in music : a yearbook

Heinrich Schenker ; edited by William Drabkin ; translated by Ian Bent ... [et al.]

(Cambridge studies in music theory and analysis, 5, 8, 10)

Cambridge University Press, 1994-

  • v. 1 (1925)
  • v. 2 (1926)
  • v. 3 (1930)

タイトル別名

Meisterwerk in der Musik

大学図書館所蔵 件 / 9

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注記

Includes index

内容説明・目次

巻冊次

v. 1 (1925) ISBN 9780521455411

内容説明

Volume I of this work is translated here by a team of distinguished theorists. It includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven and Handel and solo violin music by Bach, as well as more general essays on aspects of Schenkerian theory. Volume 2 (1926) and Volume 3 (1930) were published in 1995/6. Long awaited in English translation, this edition will also be invaluable to scholars for the editorial annotations and elucidations provided by Dr Drabkin and his translators.

目次

  • 1. The art of improvisation
  • 2. Abolish the phrasing slur
  • 3. The Largo of Bach's Sonata No. 3 for Solo Violin [BWV 1005]
  • 4. The prelude of Bach's Partita No. 3 for Solo Violin [BWV 1006]
  • 5. Bach: Twelve Short Preludes, No. 6 [BWV 940]
  • 6. Bach: Twelve Short Preludes, No. 7 [BWV 941]
  • 7. Bach: Twelve Short Preludes, No. 12 [BWV 942]
  • 8. Domenico Scarlatti: Keyboard Sonata in D minor
  • 9. Domenico Scarlatti: Keyboard Sonata in G major
  • 10. Chopin: Etude in E flat minor Op. 10. No. 6
  • 11. Chopin: Etude in G flat major, Op. 10, No. 5
  • 12. A Postscript to Beethoven's Opus 110
  • 13. Further Considerations of the Urlinie: I
  • 14. Elucidations
  • 15. Miscellanea: Thoughts on art and its relationships to the general scheme of things
  • Index.
巻冊次

v. 2 (1926) ISBN 9780521455428

内容説明

Heinrich Schenker is regarded as one of the leading music theorists of the twentieth century. The Masterwork in Music was written in three volumes between 1925 and 1930 and is distinguished from earlier writings by its depth of vision, demonstrated here both graphically and verbally. Although the concept of structural hierarchy is already present in Der Tonwille (1921-4), the idea of a network of layers becomes particularly prominent in Das Meisterwerk. This volume contains a major essay on Mozart's Symphony No. 40 in G minor and other studies of Bach keyboard and solo cello works, Haydn and Reger, as well as theoretical writings on sonata form and fugue and Schenkerian theory. These essays are translated by a team of specialists with ample editoral annotations including comparisons with earlier and later writings.

目次

  • 1. Further consideration of the Urlinie
  • 2. On organicism in sonata form
  • 3. The organic nature of fugue
  • 4. The Sarabande of Bach's Suite No. 3 for solo violoncello (BWV 1009)
  • 5. Mozart's Symphony in G minor, K.550
  • 6. The representation of chaos from Haydn's Creation
  • 7. A counter-example: Max Reger's Variations and Fugue on a Theme by Bach, Op. 81, for piano
  • 8. Elucidations
  • 9. Miscellanea: thoughts on art and its relationships to the general scheme of things
  • Index.
巻冊次

v. 3 (1930) ISBN 9780521455435

内容説明

The Masterwork in Music comprises the main writings from the mid-1920s to 1930 of the eminent Austrian theorist and music-philosopher, Heinrich Schenker (1868-1935); these range from detailed analyses of individual works to discussions of music theory in a historical/cultural context to general thoughts about music, art and culture. The third and final volume of Masterwork embraces all three types of essay, but is in reality dominated by the most detailed and, for many, the most celebrated of all of Schenker's studies of single works: the analysis of Beethoven's Eroica Symphony. All four movements are discussed and graphed in detail; the surrounding commentary on the history of theory, and of contemporary culture, is related in a general way to the central analytical study.

目次

  • 1. Rameau or Beethoven? Creeping paralysis or spiritual potency in music?
  • 2. Beethoven's Third Symphony: its true content described for the first time
  • 3. Miscellanea: thoughts on art and its relationships to the general scheme of things.

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詳細情報

  • NII書誌ID(NCID)
    BA24848602
  • ISBN
    • 0521455413
    • 0521455421
    • 052145543X
  • LCCN
    93033355
  • 出版国コード
    uk
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 原本言語コード
    ger
  • 出版地
    Cambridge [England]
  • ページ数/冊数
    v.
  • 大きさ
    22 × 30 cm
  • 分類
  • 件名
  • 親書誌ID
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