The reformation of the subject : Spenser, Milton, and the English Protestant epic
著者
書誌事項
The reformation of the subject : Spenser, Milton, and the English Protestant epic
（Cambridge studies in Renaissance literature and culture, 6）
Cambridge University Press, 1995
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注記
Bibliography: p. 263-275
Includes index
内容説明・目次
内容説明
The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.
目次
- Acknowledgments
- Introduction
- 1. Emerging likeness: Spenser's mirror sequence of love
- 2. The closed image
- 3. Narcissus interrupted: specularity and the subject of the Tudor state
- 4. The mirror of romance
- 5. Fault lines: Milton's mirror of desire
- 6. Words made visible: the embodied rhetoric of Satan, Sin and Death
- 7. Divine similitude: language in exile
- List of works cited
- Index.
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