Blood into ink : South Asian and Middle Eastern women write war
Author(s)
Bibliographic Information
Blood into ink : South Asian and Middle Eastern women write war
Westview Press, c1994
- : pbk
Available at 8 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references
Description and Table of Contents
- Volume
-
ISBN 9780813386614
Description
This anthology of 20th-century South Asian and Middle Eastern women's writings illustrates how they have become active participants in conflicts, speaking about war not only as an extraordinary experience, but also as an ordinary experience of coping with violence on a daily basis. They show that women's involvements with the rituals of violence do not begin or end with traditional war, but that their daily struggles for survival stretch seamlessly into the more public arena of political war.
Table of Contents
- Remembering: "Lament to the Spirit of War" (Sumarian Poem), Enheduanna (Sumaria, 2300BC)
- "To Waris Shah" (Indian Poem), Amrita Pritam (India, 1947)
- "Intimations of Anxiety" (Arabic Poem), Laila al-Saih (Palestine, 1983)
- From "The Bride" (English Novel), Bapsi Sidhwa (Pakistan, 1983)
- "On the Road to Birak Sulaiman" (Arabic Short Story), Samira Azzam (Palestine, 1959)
- "Where Is My Mother?" (Hindi Short Story), Krishna Sobti (India, 1960s)
- "Blackout: Calcutta 1971" (English Poem), Chitra Divakaruni (India, 1990)
- "Do You Remember the Color of the Sea at Dair Yasin?" (Arabic Poetry), Siham Daud (Palestine, 1978)
- "Night Patrol" (English Poem), Hanan Mikhail Ashrawi (West Bank, 1989)
- "Beirut: Theatre of the Absurd (Arabic Novel), Ghada Samman (Syria, 1980)
- No Man's Land" (English Poem), Meena Alexander (India, 1989-1990)
- "One Cannot Kill a Baby Twice" (Hebrew Poem), Dahlia Ravikovitch (Israel, 1982)
- "Parbati" (Urdu Short Story), Farkhanda Lodhi (Pakistan, 1960)
- "Auschwitz from Colombo" (English Poem), Anne Ranasinghe (Sri Lanka, 1975)
- "Our Daily Bread" (Arabic Short Story), Emily Nasrallah (Lebanon, 1985)
- "Genocide" (English Poem), Jean Arasanayagam (Sri Lanka, 1970)
- "Colossus" (Malayalam Poem), B. Sugathakumari (India, 1940s)
- "A New Wait" (Arabic Short Story), Aliya Talib (Iraq, 1988). Waging Peace: "Meditation of Mahakali" (Sanskrit Hymn to the Goddess), Swami Jagadisvarananda (Ancient India)
- "For Her Brother" (Arabian Poem), Al-Khansa (Sixth Century CE)
- "Indigo" (Bengal: 1779-1860) (English Poem), Chitra Divakaruni (India, 1987). From Satyagraha (English memoirs)-V-ijaiya Lakshmi Pandit (India, 1979)
- From "Inner Recesses Outer Spaces" (English Memoirs), Kamaladevi Chattopadhyay (India, 1986)
- From "Memoirs of an Unrealistic Woman" (Arabic Novel), Sahar Khalifeh (West Bank, Israel, 1986)
- From "Fareuell Communism, Long Live Jewish-Arab Friendship!" (Hebrew Memoirs), Nessia Shafran (Israel, 1980)
- "Where Did She Belong?" (Urdu Short Story), Suraiya Qasim (India, 1965)
- "Two Faces, One Woman" (Arabic Short Story), Nuha Samara (Palestine/Lebanon, 1980)
- "Draupadi" (Bengali Short Story), Mahasweta Devi (India, 1980)
- "A Short Hike" (Farsi Short Story), A. Rahmani (Iran, 1981)
- "The Future" (Arabic Short Story), Daisy al-Amir (Iraq, 1980)
- "Testimony" (Pushto), Anonymous Afghan Woman (Afghanistan, 1987)
- "The Morning After" (Hindi Short Story), Mridula Garg (India, 1988)
- Indian Nationalist Poetry in America (Punjabi and English Interview, Songs and Poems), Jane Singh (United States, 1985)
- From "Of Blood and Fire (Bengali Diary), Jahanara Imam (Bengal, 1989)
- "Greening" (Arabic Short Story), Aliya Talib (Iraq, 1988)
- "I Remember I Was a Point, I Was a Circle" (Arabic Poem), Huda Naamani (Syria, 1980)
- "The Gull and the Negation of the Negation (Arabic Poem), Fadwa Tuqan (West Bank, Israel, 1987). (part contents).
- Volume
-
: pbk ISBN 9780813386621
Description
"These writings on war by Middle Eastern and South Asian women are passionate, bitter, and deeply attached to place and circumstance. They should be part of our essential reading. At the tail end of this century, they help to remap a vivid, splintering world".- Meena Alexander, author of "Fault Lines". Lightning Print On Demand Title
Table of Contents
Foreword: Translating Violence: Reflections After Ayodhya -- Preface -- Credits -- Introduction -- Remembering -- Waging Peace
by "Nielsen BookData"