Greek tragic theatre
著者
書誌事項
Greek tragic theatre
（Theatre production studies）
Routledge, 1994
- : pbk
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注記
Bibliography: p. 161-163
Includes index
内容説明・目次
内容説明
Emphasizing the political nature of Greek tragedy, as theatre of, by and for the polis, Rush Rehm characterizes Athens as a performance culture; one in which the theatre stood alongside other public forums as a place to confront matters of import. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre focussed on the audience.
目次
Preface Acknowledgements A note on translations and editions Part I: The social and theatrical background 1. The Performance Culture of Athens 2. The Festival Context 3. Production as Participation 4. The Theatre of Dionysus 5. Conventions of Production Part II: Exemplary plays 6. Aeschylus' Oresteia Trilogy 7. Sophocles' Oedipus Tyrannus 8. Euripides' Suppliant Women 9. Euripides' Ion Notes Select bibliography Index
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