Where the boys are : Cuba, Cold War America and the making of a New Left
Author(s)
Bibliographic Information
Where the boys are : Cuba, Cold War America and the making of a New Left
(The Haymarket series)
Verso, 1993
- : pbk
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Originally presented as the author's thesis (Ph. D.--Rutgers University, 1992)
Includes bibliographical references and index
Description and Table of Contents
Description
The ignominious failure of the Bay of Pigs invasion in 1961 marked the culmination of a curious episode at the height of the Cold War. At the end of the fifties, restless and rebellious youth, avant-garde North American intellectuals, old leftists, and even older liberals found inspiration in the images and achievements of Fidel Castro's revolutionary guerrillas. Fidelismo swept across the US, as young North Americans sought to join the 26th of July Movement in the Sierra Maestra.
Drawing equally on cultural and political materials, from James Dean and Desi Arnaz to C. Wright Mills and Studies on the Left, Gosse explains how the peculiar conjuncture of 1950s America produced the first great Third World solidarity movement, the Fair Play for Cuba Committee, which became a locus for the New Left emerging from the ashes of Kennedy's New Frontier.
Where the Boys Are captures the strange essence of that much-abused decade, the 1950s, at once demonstrating the perfidy of Cold War American liberal opinion towards Cuba and its revolution while explaining why Fidel and his companeros made such appealing idols for the young, the restless, and the politically adventurous.
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