Judaism's theological voice : the melody of the Talmud
Author(s)
Bibliographic Information
Judaism's theological voice : the melody of the Talmud
（Chicago studies in the history of Judaism）
University of Chicago Press, 1995
- :pbk
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Note
Includes index
Description and Table of Contents
- Volume
-
ISBN 9780226576480
Description
Taking the everyday life of contemporary Judaism as his beginning in this text, Neusner asks when in the life of the living faith of the Torah does Israel, the holy community, meet God? Where does the meeting take place? What is the medium of the encounter? Neusner sets forth the character and the form of the Torah as sung theology. Israel, the holy community, meets God in the synagogue, while at prayer, and in the yeshiva, when studying the Torah - at the moment in each setting when the Torah is received. In both circumstances people do not read but sing out its words. With the written part of the Torah sung in the synagogue, and the oral part declaimed in centres of sacred learning, music provides the medium for Judaism's theological voice. Neusner identifies a reciprocal exchange between the holy community Israel and God: Israel sings to God when the Torah is studied, and God sings to Israel when the Torah is declaimed. Through the metaphor of music, Neusner offers an account of how he believes those faithful to the Torah meet God in the Torah, and how they should listen to the melody of God's self-revelation.
Table of Contents
Prologue 1: God Sings 2: Thinking the Music 3: Whole Harmony 4: Reading Notes, Making Music 5: The Melody of Mind 6: The Music Makes the Words Afterword Index
- Volume
-
:pbk ISBN 9780226576497
Description
Taking the everyday life of contemporary Judaism as his beginning in this text, Neusner asks when in the life of the living faith of the Torah does Israel, the holy community, meet God? Where does the meeting take place? What is the medium of the encounter? Neusner sets forth the character and the form of the Torah as sung theology. Israel, the holy community, meets God in the synagogue, while at prayer, and in the yeshiva, when studying the Torah - at the moment in each setting when the Torah is received. In both circumstances people do not read but sing out its words. With the written part of the Torah sung in the synagogue, and the oral part declaimed in centres of sacred learning, music provides the medium for Judaism's theological voice. Neusner identifies a reciprocal exchange between the holy community Israel and God: Israel sings to God when the Torah is studied, and God sings to Israel when the Torah is declaimed. Through the metaphor of music, Neusner offers an account of how he believes those faithful to the Torah meet God in the Torah, and how they should listen to the melody of God's self-revelation.
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