A plot of her own : the female protagonist in Russian literature
著者
書誌事項
A plot of her own : the female protagonist in Russian literature
(Studies in Russian literature and theory)
Northwestern University Press, c1995
- alk. paper
- pbk. : alk. paper
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 129-164)
内容説明・目次
内容説明
Neither a discussion of literary works written by women nor a survey of female images in male-authored texts, this work can be said to be revisionist in several senses. It takes issue with the old, ""unconscious"" assumption of critics, male and female alike, that women characters in fiction - even if idealized - are marginal, mere appendages to male protagonists, not worthy of investigation in their own right. This collection demonstrates that when we transform these old habits of thought and old ways of seeing and enter texts from a new and fresh perspective, which foregrounds women and the female protagonist in particular, the results are fruitful. Authors discussed include Chekov, Dostoevsky, Pushkin and Tolstoy, and the novels considered range from ""Fathers and Children"" to Zamyatin's anti-Utopian ""We"". Throughout, the contributors' revisions expand our understanding of the major works they address and reveal new significance in them.
目次
- Tatiana, Caryl Emerson
- ""oh-la-la"" and ""No-no-no"" - Odintsova as woman alone in ""Fathers and children"", Jane T. Costlow
- the judgement of ""Anna Karenina"", Amy Mandelker
- reading woman in Dostoevsky, Harriet Murav
- Sonya's wisdom, Gary Saul Morson
- the uses of witches in Fedin and Bulgakov, Elizabeth Klosty Beaujour
- the mismeasure of 1-330, Sona Stephan Hoisington
- ""Cement"" and ""How the Steel was Tempered"" - variations on the new Soviet woman, Thea Margaret Durfee
- mother as mothra - totalizing narrative and nurture in Petrushevskaia, Helena Goscilo.
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