Juan de Herrera : architect to Philip II of Spain
著者
書誌事項
Juan de Herrera : architect to Philip II of Spain
Yale University Press, 1993
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
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  オランダ
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注記
Includes bibliographical references (p. 203-211) and index
内容説明・目次
内容説明
In the second half of the 16th century, Philip II of Spain set out to use the revenues of the richest state in the world to create buildings worthy of his Habsburg inheritance and he chose a young and inexperienced gentleman soldier, Juan de Herrera, to be his principle architect. The remarkable partnership between the king and Herrera - courtier, intellectual and architect - lasted more than 30 years. The buildings they produced, among them the Escorial, the Merchants' Exchange in Seville and the urban renewal of Madrid, instilled new ideas that were to nourish Spain and European architecture for centuries to come. This treatment of Herrera examines the roles of a great architect and patron in their creation of a new era of Spanish architecture. Catherine Zerner begins with the events that led to Herrera's becoming an architect and proceeds to reconstruct his architectural thought and practice in the Spanish context. Herrera's intellectual outlook was closer to the sciences than to the fine arts and his ambition was to reconstitute architecture as an art of building that embraced all kinds of structures in a new aesthetic that was independent of painting and sculpture.
His designs, unornamented to the point of plainess, were based upon the repetition of simple and recognizable forms that could be adapted to virtually any building. In a series of chapters on the royal palaces, the Escorial, religious architecture and civic projects, the author aims to show how and why Herrera's plain style of uncompromising abstraction - the famous "estilo desornamentado" - became indelibly associated with the ideology of Philip II's kingship and the values of Spanish Habsburg rule.
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