Representing jazz

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Bibliographic Information

Representing jazz

edited by Krin Gabbard

Duke University Press, 1995

  • : pbk

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Includes bibliographical references and index

Description and Table of Contents

Description

Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo' Better Blues, Cabin in the Sky, and Jammin' the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn's extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

Table of Contents

Acknowledgments vii Introduction: Writing the Other History / Krin Gabbard 1 Jazz in Literature and Film Jammin' the Blues, or the Sight of Jazz, 1944 / Arthur Knight 11 Improvising and Mythmaking in Eudora Welty's "Powerhouse" / Leland H. Chambers 54 Fabulating Jazz / Frederick Garber 70 Signifyin(g) the Phallus: Mo' Better Blues and Representations of the Jazz Trumpet / Krin Gabbard 104 Jazz Autobiography: Theory, Practice, Politics / Christopher Harlos 131 Excursus: Cabin in the Sky Uptown Folk: Blackness and Entertainment in Cabin in the Sky / James Naremore 169 Doubling, Music, and Race in Cabin in the Sky / Adam Knee 193 Jazz and Dance Divine Frivolity: Hollywood Representations of the Lindy Hop, 1937-1942 / Robert P. Crease 207 Keeping the Spirit Alive: The Jazz Dance Testament of Mura Dehn / Karen Backstein 229 Picturing Jazz Jazz and the New York School / Mona Hadler 247 The Tenor's Vehicle: Reading Way Out West / Michael Jarrett 260 Vocalese: Representing Jazz with Jazz Purple Passages of Fiestas in Blue? Notes Toward an Aesthetic of Vocalese / Barry Keith Grant 285 Contributors 305 Index 307

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Details
  • NCID
    BA25892734
  • ISBN
    • 0822315793
    • 0822315947
  • LCCN
    94037347
  • Country Code
    us
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Durham
  • Pages/Volumes
    viii, 320 p.
  • Size
    24 cm
  • Classification
  • Subject Headings
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