Representing jazz
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Bibliographic Information
Representing jazz
Duke University Press, 1995
- : pbk
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Includes bibliographical references and index
Description and Table of Contents
- Volume
-
ISBN 9780822315797
Description
Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings.
Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo' Better Blues, Cabin in the Sky, and Jammin' the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn's extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture.
With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore
Table of Contents
Acknowledgments vii
Introduction: Writing the Other History / Krin Gabbard 1
Jazz in Literature and Film
Jammin' the Blues, or the Sight of Jazz, 1944 / Arthur Knight 11
Improvising and Mythmaking in Eudora Welty's "Powerhouse" / Leland H. Chambers 54
Fabulating Jazz / Frederick Garber 70
Signifyin(g) the Phallus: Mo' Better Blues and Representations of the Jazz Trumpet / Krin Gabbard 104
Jazz Autobiography: Theory, Practice, Politics / Christopher Harlos 131
Excursus: Cabin in the Sky
Uptown Folk: Blackness and Entertainment in Cabin in the Sky / James Naremore 169
Doubling, Music, and Race in Cabin in the Sky / Adam Knee 193
Jazz and Dance
Divine Frivolity: Hollywood Representations of the Lindy Hop, 1937-1942 / Robert P. Crease 207
Keeping the Spirit Alive: The Jazz Dance Testament of Mura Dehn / Karen Backstein 229
Picturing Jazz
Jazz and the New York School / Mona Hadler 247
The Tenor's Vehicle: Reading Way Out West / Michael Jarrett 260
Vocalese: Representing Jazz with Jazz
Purple Passages of Fiestas in Blue? Notes Toward an Aesthetic of Vocalese / Barry Keith Grant 285
Contributors 305
Index 307
- Volume
-
: pbk ISBN 9780822315940
Description
Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings.
Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture.
With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore
Table of Contents
Acknowledgments vii
Introduction: Writing the Other History / Krin Gabbard 1
Jazz in Literature and Film
Jammin' the Blues, or the Sight of Jazz, 1944 / Arthur Knight 11
Improvising and Mythmaking in Eudora Welty's "Powerhouse" / Leland H. Chambers 54
Fabulating Jazz / Frederick Garber 70
Signifyin(g) the Phallus: Mo' Better Blues and Representations of the Jazz Trumpet / Krin Gabbard 104
Jazz Autobiography: Theory, Practice, Politics / Christopher Harlos 131
Excursus: Cabin in the Sky
Uptown Folk: Blackness and Entertainment in Cabin in the Sky / James Naremore 169
Doubling, Music, and Race in Cabin in the Sky / Adam Knee 193
Jazz and Dance
Divine Frivolity: Hollywood Representations of the Lindy Hop, 1937–1942 / Robert P. Crease 207
Keeping the Spirit Alive: The Jazz Dance Testament of Mura Dehn / Karen Backstein 229
Picturing Jazz
Jazz and the New York School / Mona Hadler 247
The Tenor's Vehicle: Reading Way Out West / Michael Jarrett 260
Vocalese: Representing Jazz with Jazz
Purple Passages of Fiestas in Blue? Notes Toward an Aesthetic of Vocalese / Barry Keith Grant 285
Contributors 305
Index 307
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