Early cinema in Russia and its cultural reception
著者
書誌事項
Early cinema in Russia and its cultural reception
（Soviet cinema）
Routledge, 1994
- タイトル別名
-
Istoricheskai︠a︡ ret︠s︡ept︠s︡ii︠a︡ kino
- 統一タイトル
-
Istoricheskai︠a︡ ret︠s︡ept︠s︡ii︠a︡ kino
大学図書館所蔵 件 / 全10件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Rev. ed. of: Istoricheskai︠a︡ ret︠s︡ept︠s︡ii︠a︡ kino. 1991
Bibliography: p. [249]-264
Includes index
内容説明・目次
内容説明
In Early Cinema in Russia and its Cultural Reception Yuri Tsivian examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years.
Tsivian traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films, from actors, novelists, poets, writers, and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics.
In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. Early Cinema in Russia and its Cultural Reception presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. Tsivian's study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.
「Nielsen BookData」 より
