Tàpies
著者
書誌事項
Tàpies
Prestel, c1992
English ed
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Translated from the German by John William Gabriel
Bibliography: p. 351-356
内容説明・目次
内容説明
Antoni Tapies, Spain's greatest living artist, is a leading exponent of "matter" painting, a style characterized by encrusted layers of paint that create an effect of solid relief. His best-known works resemble sections of weathered wall, textured with the traces of time and human endeavor. This highly concrete, starkly immediate art reflects the artist's profound humanitarian concerns and continues the tradition of realism and solemn mysticism that has been characteristic of Spanish art through the centuries. Featuring high-quality reproductions of major works from all phases of the artist's career, this book traces the development of Tapies's art from the drawings of the 1940's, when he was forced by a potentially fatal disease to spend a long period in sanatoria, to the first "wall" paintings of the mid-1950's, from the assemblages of the 1970's to the fire-clay sculptures of recent years. A number of his latest paintings are discussed and illustrated. The author shows how the artist's intensely personal imagery is intimately related to his intellectual and political experiences. Throughout his career Tapies has been an advocate of freedom for his native Catalonia and, during the Franco dictatorship, was an outspoken champion of human liberty. Such concerns have caused the artist to avoid pure abstraction, whether by virtue of references to the visible world in his works or by the sheer force of their material presence. Tapies has drawn inspiration from a wide variety of sources: the art of Joan Miro and Paul Klee, of Surrealism and Far Eastern calligraphy have played as formative a role as have the music of Richard Wagner and the philosophy of Hegel, Jean-Paul Sartre, and the FarEast. He has absorbed these influences to fashion an art of confession, of manifestos and appeals, homages and protests. This overview of an oeuvre marked by the greatest personal and artistic integrity is completed by biographical notes and an extensive bibliography.
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